Imported

Installation view of “Bubbles/Debris: Art of the Heisei Period 1989–2019,” at Kyoto City Kyocera Museum of Art, 2021. Photo by Kioku Keizo. All images courtesy Kyoto City Kyocera M

“Bubbles/Debris: Art of the Heisei Period 1989–2019”

Installation view of *ERIKA SCOTT*’s _The Revolving Doormat_, 2021, trampoline, construction adhesive, fairy lights, computer keyboard keys, mirror, aquarium helicopter ornament, f

Black Summer and Beyond in "On Fire: Climate and Crisis"

Installation view of *YASUE MAETAKE*’s “Transmutations,” at Microscope Gallery, New York, 2021. All images courtesy the artist and Microscope Gallery.

Yasue Maetake's Sculptural Sensations in "Transmutations"

Installation view of *TONY ALBERTS*’s _Conversations with Preston: Christmas Bells_, 2020–21, acrylic and vintage appropriated fabric on canvas, 300 x 400 cm, at “Conversations wit

Tony Albert’s “Conversations with Margaret Preston”

Installation view of *ZHANG ENLI*’s “A Room That Can Move,” at Power Station of Art (PSA), Shanghai, 2021. Courtesy PSA.

Zhang Enli: “A Room That Can Move”

*SCOTTY SO*, _Wearing a mask during The Third Bubonic Plague, No. 2_, 2020, digital print on paper, 76 x 51 cm. All images copyright the artist; courtesy Mars Gallery, Melbourne.

The Drag Personas of Scotty So in “Small room downstairs”

Installation view of *ROSLISHAM ISMAIL (ISE)*’s “Campur, Tolak, Kali, Bahagi, Sama Dengan (Add, Subtract, Multiply, Divide, Equals),” at A+ Works of Art, Kuala Lumpur, 2020–21. All

“Campur, Tolak, Kali, Bahagi, Sama Dengan (Add, Subtract, Multiply, Divide, Equals)”

Installation view of *DOUBLE FLY ART CENTER*’s _double love & flied currency (Double Fly Art Center 2020-Q-002)_, 2020, acrylic on canvas, colorless fluorescent pigment, fluorescen

Artistic Currency at “Double Fly Awkward Pay”

Installation view of *RIRKRIT TIRAVANIJA*’s _Untitled_, 2020, pavilion, bamboo maze, dimensions variable, at Bangkok Art and Culture Centre (BACC), Bangkok Art Biennale (BAB), 2020

Bangkok Art Biennale 2020: “Escape Routes”

Celebrating Ingenuity

Short-circuits

Player of Beings

Living in the Edge

Photo of MICHAEL FINDLAY and RAY JOHNSON at Richard Feigen Gallery, New York, c. 1968. Photo by William S. Wilson. Courtesy the Ray Johnson Estate.

Wong Kit Yi on Michael Findlay