Imported

MONA HATOUM, Light Sentence, 1992, Galvanized wire mesh lockers, electric motor and light bulb, 198 x 185 x 490 cm. Copyright the artist. Photo by Philippe Migeat. Courtesy Centre

Mona Hatoum

SIMRYN GILL, Vegetation, 2016, Black-and-white llfochrome print, 40 x 400 cm each. Courtesy Utopia Art Sydney.

Soil and Stones, Souls and Songs

UNTITLED (detail), 2015, oil on canvas, 36 x 46 cm. Courtesy Galerie Lelong, Paris/New York. Unless otherwise stated, all images courtesy the artist and Sfeir-Semler Gallery Beirut

Every One of Us is a Radio Transmitter

ADITYA PANDE, Half-Life Form III (detail), 2012, mixed media on archival paper, 152 x 114 cm. Courtesy the artist and Aicon Gallery, New York.

Constructed Chaos

Illustration by Lisk Feng.

Art-Making in a Troubled World

View of Kuala Lumpur, Malaysia, with the Petronas Twin Towers in the distance. Photo by Zukiman Mohamad.

Kuala Lumpur

Installation view of

Oceanic Feeling

HICHAM BERRADA, Les Fleurs, 2016, video, 3 min 42 sec.

Yinchuan Biennale

APICHATPONG WEERASETHAKUL, Power Boy (Mekong), 2009, giclée print, 150 x 255 cm. Courtesy the artist and Para Site, Hong Kong.

The Serenity of Madness

CHIHARU SHIOTA, Absent Bodies (detail), 2016, red yarn and wooden chairs, 15 x 4.5 x 4.5 m. Photo by Zan Wimberley. Courtesy the artist and Anna Schwartz Gallery, Melbourne.

“Absent Bodies” and “The Home Within”

Installation view of JOÃO VASCO PAIVA's

Green Island

SHINRO OHTAKE, Book #1/Layered Memories, 2015, scrapbook with screen print, lithography, etching, acrylic, lacquer spray paint, aluminum tape, silkscreen print, paper and stainless

Paper – Sight

Installation view of PIO ABAD's exhibition

Notes on Decomposition

ALLORA & CALZADILLA, The Great Silence, 2014, three-channel HD video installation, 16 min, 22 seconds. Courtesy the artists.

Aichi Triennale