Imported

Installation view of ANDY WARHOL's exhibition

Shadows

Greg Semu,  Earning My Stripes #2, 2015 , pigment print on Hahnemühle photo baryta, 100 x 133.4 cm . Copyright and courtesy the artist and Alcaston Gallery, Melbourne.

Collection +

Installation view of NURI KUZUCAN's

The Blissful Defect

ALEX KATZ, White Roses 9, 2012, oil on linen, 274.3 x 548.6 cm. Copyright the artist. Courtesy Timothy Taylor, London.

West Broadway and Spring

Installation view of

Delicate Cycle

PIERRE HUYGHE, Untitled (Human Mask), 2014, still from film with color and sound: 19 min. Courtesy the artist, Anna Lena Films and Hauser & Wirth, London.

Neriri Kiruru Harara

Installation view of

Why the performance?

KOO JEONG A, Civilising Process, 2005, pen drawing on A4 paper, 84.1 x 118.9 cm. Courtesy the artist.

Riptide

LEE BUL, installation view of Diluvium (2012/2016) and Majestic Splendor (2016) for the exhibition “Connect 1: Still Acts

Connect 1: Still Acts

Installation view of “Where Can the Dust Alight” at Pace Hong Kong, 2016. Courtesy Pace Hong Kong.

Where Can The Dust Alight

DANH VŌ, 2.2.1861, 2009, ink on A4 paper, 29.6 x 21 cm. Copyright the artist. Courtesy White Cube, Hong Kong.

Danh Vō

KIM YONG-IK, To Ilmin Museum of Art 2016, 2016, acrylic on canvas, acrylic on paper and pencil, dimensions variable. Courtesy Ilmin Museum of Art, Seoul.

Closer . . . Come Closer . . .

LUKE CHING, 239 Queen's Road East, Wanchai II (negative), 2005, archival print, 254 x 121.9 cm. Courtesy the artist and Gallery Exit, Hong Kong.

For now we see through a window, dimly

View of Kuala Lumpur, Malaysia, with the Petronas Twin Towers in the distance. Photo by Zukiman Mohamad.

Kuala Lumpur