Imported

IAN CHENG, Emissary Forks at Perfection, 2015-16, Live simulation and story, infinite duration. Courtesy MoMA PS1, New York.

Emissaries

Illustration by Sarene Chan.

Marrying Culture and Commerce in Arts Patronage

Installation view of the exhibition “How to Become Us,” at Art Space Pool, Seoul, 2011.

Transformative Assemblages

SIAH ARMAJANI, Bridge Over a Tree, 1970, Mixed media, 20.6 x 86.4 x 24.8 cm. Courtesy the artist and Rossi & Rossi, Hong Kong/London.

Siah Armajani

IRI AND TOSHI MARUKI, Water (Panel III) (detail), 1950–82, From “Hiroshima Panels” (series of 15 panels), India ink and Japanese paper, 180 x 720 cm. Courtesy Maruki Gallery For Th

Postwar: Art between the Pacific and the Atlantic, 1945-1965

(Left) REN HANG, Edited by Dian Hanson. Published by Taschen, Cologne, 2016. Softcover with color illustrations, 311 pages.
(Right) RED FLOWER: THE WOMEN OF OKINAWA, By Mao Ishika

Stripped Bare

EOM JEONGWON, When I Want to Fit into a Frame, 2016, still from single-channel projection across paper screens and the wall: 7 min. Courtesy Korean Cultural Centre UK, London.

1:60

DEEPAK UNNIKRISHNAN, Temporary People, 2017, Paperback anthology, 240 pages. Published by Restless Books, New York. Courtesy Lantian Xie.

Lantian Xie on Deepak Unnikrishnan

Illustration by O Hezin.

Expanding the Vision for Arts Patronage

Instinctual Movements

SAND DRAWINGS 4 (detail), 2000–15, digital print on Hahnemühle Photo Rag paper, 40.6 x 54.6 cm. Courtesy the artist and Grey Noise, Dubai.

Tranquility Amid Turmoil

TATSUO MIYAJIMA, 100 Time Lotus (detail), 2008/2016, LED, IC, electric wire, glass, water and Nymphaea lotus, dimensions variable. Copyright and courtesy the artist.

Connect with Everything

SUN XUN, Mythological Time (detail), 2016, Stills from two-channel color HD animated video with sound: 12 min 44 sec. Copyright the artist. Courtesy Solomon R. Guggenheim Museum, N

Tales of Our Time

A Framework for Connectors in the Art World