Imported

Installation view of *XIAOWEN ZHU*'s

The Details are Invented

Installation view of

Composing Stories with Fragments of Time

Installation view of HERI DONO's

Land of Freedom

Installation view of KITTY CHOU’s “Countervision” at Ben Brown Fine Arts, Hong Kong, 2017. Courtesy Ben Brown Fine Arts.

Countervision

Installation view of QU FENGGUO's

Midsummer

A work from RAQUEL ORMELLA's series

Material Politics

Installation view of THE PROPELLER GROUP’s “New Pictures: The Propeller Group, Reincarnations” at the Minneapolis Institute of Art, Minneapolis, 2017. Photo by Ana Taylor. Courtesy

New Pictures: The Propeller Group, Reincarnations

Installation view of XIAO-YANG LI’s “Totem Index” at Narrative Projects, London, 2017. Courtesy the artist and Narrative Projects.

Totem Index

WONG CHUNG-YU, ReBond, 2014, real-time random animation. Courtesy the artist and Hanart TZ Gallery, Hong Kong.

Centrifugal Force: The Art Field of Wong Chung-yu

Installation view of ANTHONY CARO’s Lock (1962) at Barford Sculptures, London, 2017. Courtesy Barford Sculptures Ltd. and the artist. Photo by John Hammond.

Rasheed Araeen on Anthony Caro

Illustration by Chloe Bennett.

Narrating Syria Through Family-Run Arts Patronage

Through Burmese Eyes

NO. 680, 2016, set of 50 paintings, acrylic paint on MDF, 80 x 25 x 4 cm each. Photo by Philip White.
Unless stated otherwise, all images courtesy the artist and The Third Line, Du

Simply Put

JAMES T. HONG, A Chinaman’s Chance (Dokdo and Senkaku), 2014, Film still of video: 12 min 50 sec. Courtesy the artist and Haus der Kulturen der Welt, Berlin.

2 or 3 Tigers