Imported

Installation view of ETEL ADNAN's

New Work

Installation view of WANG HAIYANG's solo exhibition at Capsule Shanghai. All images courtesy the artist and Capsule Shanghai.

Wang Haiyang

Installation view of ALA YOUNIS's

Steps Toward the Impossible

View of Hanoi in 2014. Copyright and courtesy Flickr user Guerretto.

Hanoi

IRENE CHOU, Untitled, 1995, ink on paper, 152.4 x 106.7 cm. Courtesy Akiko Yamazaki and Jerry Yang, and the Iris & B. Gerald Cantor Center for Visual Arts, Stanford.

Understated Visionaries

SHOJI UEDA, Papa, Mama and Children, 1949, Gelatin silver print, 20 x 28 cm. Courtesy Shoji Ueda Office and Three Shadows Photography Art Centre, Beijing.

Shoji Ueda

Installation view of CAO FEI's Rumba, 2015–18, wooden stage and cleaning robots, dimensions variable, at “A Hollow in a World Too Full,” Tai Kwun Contemporary, Hong Kong, 2018–19.

A Hollow in a World Too Full

Installation view of *TARO IZUMI*'s

My eyes are not in the centre

LEE BUL, Willing to be Vulnerable - Metalized Balloon, 2015–16, Metalized film, transparent film and air blower, 300 x 1,700 x 300 cm. Installation view of “Crashing” at Hayward Ga

Crashing

LIN TIANMIAO, Reaction, 2018, arc panel structure, vibrating floor, liquid circulation system, dripping device, pulse machine and sound speakers, 334 x 334 x 339 cm. Installation v

Systems

Installation view of WONG KIT YI’s DNA sampling station at “Magic Wands, Batons and DNA Splicers,” am Space, Art Basel, Hong Kong, 2018. Courtesy the artist and am Space, Hong Kong

Double Time

CHEN SHUN-CHU, King-Do Relic,1996 Nine wooden sculptures with image-transferred tiles, each 192 x 32 cm. Black-and-white installation view of “King-Do Relic” at IT Park Gallery, Ta

Kacey Wong on Chen Shun-Chu

Installation view of “The Painting that is Painted with Poetry is Profoundly Beautiful” at Smart Museum of Art, Chicago, 2018. Courtesy Smart Museum of Art.

The Painting That Is Painted With Poetry Is Profoundly Beautiful

Illustration by Chia-Chi Yu.

A Friend