Imported

Installation view of RAQS MEDIA COLLECTIVE's Spinal, 2018, projection: 10 min 24 sec, part of Not Yet at Ease, 2018, modular padded structure with fabric ceiling, padded stools, si

Spinal

Installation view of

Scripts, Traces, and the Unpredictable

BAHC YISO, Capital=Creativity, 1996, acrylic on paper, 50 × 81 cm. Courtesy National Museum of Modern and Contemporary Art, Seoul/Gwacheon/Cheongju.

Bahc Yiso

Installation view of LIU XIAODONG's

Weight of Insomnia

Forming Public Spaces

HO TZU NYEN, The Nameless, 2015, single-channel video installation with color and sound: 21 min 37 sec. Courtesy MAIIAM Contemporary Art Museum, Chiang Mai.

Diaspora: Exit, Exile, Exodus of Southeast Asia

BAHC YISO, Capital=Creativity, 1996, acrylic on paper, 50 × 81 cm. Courtesy National Museum of Modern and Contemporary Art, Seoul/Gwacheon/Cheongju.

Memos and Memories

Installation view of DANNY YUNG's Video Circle 2000, 2000, 32 television sets and video players showing loops of video works from 108 artists of the Asia-Pacific region, dimensions

Ellen Pau on Danny Yung

Installation view of CHRISTINA PATAIALII's

Solid Gold

Installation view of “How To See [What Isn't There]” at Langen Foundation, Neuss, 2018–19. Photo by Bettina Diel. Courtesy Burger Collection, Hong Kong.

How to See [What Isn’t There]

Installation view of *MANJUNATH KAMATH*'s

Era Elsewhere

Installation view of

Focus Kazakhstan – Eurasian Utopia: Post Scriptum

Installation view of *ISAAC CHONG WAI*'s

Is the World Your Friend?

Installation view of *TAO HUI*'s (clockwise from left) Untitled (Holographic Building 01 and 02), both 2019, hologram, glass, 25 × 15 cm; and _Screen as Display Body_, 2019, LED sc

Rhythm and Senses