Imported

Throw Hide & Twist

Wasted Mud

Alchemical Reactions

Detail of BEN SAKOGUCHI’s Chinatown, 2014, acrylic on canvas, wooden frames (15 panels), 134.6 × 231.1 cm. Courtesy Bel Ami, Los Angeles.

Chinatown

Pulling Back the Curtain

Research and Development

Missile Park

Installation view of *YOSHITOMO NARA*’s (left) _Miss Margaret_, 2016, acrylic on canvas, 194 x 162 cm; and (right) _Wounded_, 2014, acrylic on canvas, 120 x 110 cm, at the Los Ange

Beyond Cute: The Personal Symbolism of Yoshitomo Nara

*SANTIAGO BOSE*, _Carnivores of Session Road_, 2002, acrylic and collage mounted on plywood, 91.8 x 134 cm. All images courtesy Silverlens, Manila.

Santiago Bose: "Striking Affinities"

*LIN XUE*, _Untitled (2018-4)_ from _Pines_ series, 2018, ink on paper, 35.5 x 73.5 cm. All images courtesy Gallery Exit, Hong Kong.

Lin Xue: A Wandering Life

Installation view of CAITLIN FRANZMANN’s Essence meets essence, 2021, multi-channel audio, red lighting, yellow wall paint, timber drum shells with sounding elements of seeds, nail

to the curve of you

Detailed installation view of LUKE CHING's

Glitch in the Matrix

MAHA AHMED, Demon of a thousand faces, 2020, gouache on paper, 61 × 97 cm. Courtesy the artist and Kristin Hjellegjerde Gallery, London / Berlin / Nevlunghavn.

Distance and Proximity

Portrait of ZHANG XU ZHAN with the set of Animal Story (2019– ). Unless otherwise stated, all photos by Daphne Chu for ArtAsiaPacific.

Where Paper Becomes Flesh