Imported

Installation view of *CHEN XINHAO*’s solo exhibition “The Fool’s Gold,” at OCAT Shenzhen, 2019. Courtesy OCAT Shenzhen.

The Fool's Gold

Installation view of *TATSUO MIYAJIMA*’s “Being Coming” at Minsheng Art Museum, Shanghai, 2019. Copyright the artist. Courtesy Minsheng Art Museum.

Being Coming

Installation view of *SIMON DENNY*’s “Mine,” at Museum of Old and New Art, Hobart, 2019. All photos by Jesse Hunniford. All images courtesy Museum of Old and New Art.

Mine

Installation view of

The Sylvio Perlstein Collection. A Luta Continua

Installation view of *KENTARO YAMADA*’s “Everything Comes in Waves,” at Daiwa Anglo-Japanese Foundation, London, 2019. All images copyright the artist; courtesy the artist and Daiw

Everything Comes in Waves

Installation view of ABDULLAH MI SYED's (center, on runway) Fashion Statement, 2019, digital print on gloss paper and tape, 98 x 64 x 25 cm each; and (left and right) Capital Coutu

OK Democracy, We Need to Talk

Installation view of KO SIN TUNG's “Adaptation,” at Edouard Malingue Gallery, Hong Kong, 2019. All images courtesy the artist and Edouard Malingue Gallery, Hong Kong / Shanghai.

Adaptation

Installation view of *XIE NANXING*'s “A Gift Like Kung Pao Chicken,” at Thomas Dane Gallery, London, 2019. Photo by Ben Westoby. Copyright the artist. Courtesy the artist and Thoma

A Gift Like Kung Pao Chicken

LEO VALLEDOR, Skeedo, 1965. Acrylic on canvas, 152.4 × 325.12 cm. Photo by Katherine Du Tiel. Courtesy the artist.

Pio Abad on Leo Valledor

HUMA BHABHA, Benaam, 2018. Painted and patinated bronze, 139.7 × 147.3 × 457.2 cm. Installation view of “They Live” at the Institute of Contemporary Art, Boston, 2019. Photo by Nat

They Live

Mining the Machine

Installation view of GU WENDA's united nations: american code, 2018–19, human hair, 459 x 701 x 854 cm, at “The Allure of Matter: Material Art from China,” Los Angeles County Museu

The Allure of Matter: Material Art from China

Installation view of *YANG FUDONG*'s “Beyond GOD and Evil – Preface,” at Marian Goodman Gallery, London, 2019. Photo by Thierry Bal. Courtesy the artist and Marian Goodman Gallery.

Beyond GOD and Evil – Preface

Installation view of *LEE MINGWEI*'s

The Tourist