Imported

Installation view of *LIU YUE*’s “Volume,” at ShanghArt M50, Shanghai, 2019. All photos by Alessandro Wang; courtesy the artist and ShanghArt Gallery, Shanghai / Beijing / Singapor

Volume

Installation view of DANH VŌ's

Cathedral Block Prayer Stage Gun Stock

Installation view of *SHI ZHENG*'s Embers, 2017, digital video: 5 min 32 sec, at

Embers

Installation view of *PHILIP-LORCA DICORCIA*'s solo exhibition at David Zwirner, Hong Kong, 2019. Courtesy David Zwirner, Hong Kong / New York / London.

Philip-Lorca diCorcia

*LI BINYUAN*, Room, 2019, still from single-channel video of performance: 2 min 45 sec. All images courtesy the artist and Ren Space, Shanghai.

Breaking Point

Installation view of *SARAH SZE*’s _After Studio_, 2019, mixed media, silk screens, archival prints, acrylic paint, ladders, lights, wood, and cardboard, dimensions variable, at he

Sarah Sze

LEO LIU, Resistance is Beautiful (detail), 1978–2019, mixed-media installaion, dimensions variable. Courtesy the artist.

Once Upon A Time – Unfinished Progressive Past

Installation view of *ROBERT ANDREW*’s _Presence_, 2019, soil, ocher, oxides, string, aluminum, and electro-mechanicals, dimensions variable, at IMA Belltower, Judith Wright Centre

Presence

SHAUN GLADWELL, Pacific Undertow Sequence (Bondi), 2010, still from single-channel digital video, high definition, with color and stereo sound: 11 min 21 sec. Copyright the artist.

Pacific Undertow

Installation view of *COLLECTIVE OF FICTIONAL INDIVIDUALS*'

ICRY4U

Installation view of “Nepal Art Now” at Weltmuseum Wien, Vienna, 2019. Courtesy Weltmuseum Wien.

Nepal Art Now: Contemporary Nepalese Art

Installation view of *CHRIS SHEN*'s

Cold Hands, Warm Heart

Installation view of ANTONY GORMLEY's Blind Light, 2007, fluorescent light, water, ultrasonic humidifiers, toughened low-iron glass and aluminum, 320 × 978.5 × 856.5 cm, at “Blind

Htein Lin on Antony Gormley

Illustration by Robert Radziejewski.

Thinking Outside the (Fair) Box