Imported

Installation view of *LEE BAE*’s “Promenade” at Perrotin, New York, 2019. Photo by Guillaume Ziccarelli. All images courtesy the artist and Perrotin, Paris / New York / Hong Kong /

Promenade

Installation view of *CONCERN GROUP FOR HK ANTI-EXTRADITION BILL*’s _Lennon Ship_, 2019, multimedia, 277 x 132 x 70 cm, at

Co/Inspiration in Catastrophes

Installation view of “Holy Mosses,” at Blindspot Gallery, Hong Kong, 2019–20. All images courtesy the artists and Blindspot Gallery, Hong Kong.

Holy Mosses

Installation view of *LI QING*’s “Rear Windows,” at Prada Rong Zhai, Shanghai, 2019. All photos by Zhuhai. All images courtesy the artist and Prada Rong Zhai.

Rear Windows

Human (Un)limited: Between Human Limitations and Limited Humanity

Human (Un)limited: Between Human Limitations and Limited Humanity

Installation view of BHARTI KHER's

A Wonderful Anarchy

SAWANGWONGSE YAWNGHWE, The Myanmar Peace Industrial Complex (detail), 2017, oil on linen, 330 × 660 cm. Photo by Natasha Harth, Queensland Art Gallery | Gallery of Modern Art (QAGO

Raising the Bar

KAWS, THE KAWS ALBUM, 2005, acrylic on canvas, 101.6 × 101.6 cm. Courtesy Sotheby’s.

Kawsification

Photo by Esther Chan for ArtAsiaPacific.

Top Books

Installation view of HUANG YONG PING’s Theater of the World, 1993, wood and metal structure with warming lamps, electric cable, insects, and reptiles, 2017, presented devoid of liv

Tangled Trajectories

HAMRA ABBAS, Trees: Gardens of Paradise, 2019, marble, 7 × 2.4 × 2.4 m, at Qasim Park, Karachi, 2019. Commissioned for the 2019 Karachi Biennale. Photo by Jamal Ashiqain. Courtesy

Pakistan

HAMRA ABBAS, Trees: Gardens of Paradise, 2019, marble, 7 × 2.4 × 2.4 m, at Qasim Park, Karachi, 2019. Commissioned for the 2019 Karachi Biennale. Photo by Jamal Ashiqain. Courtesy

Strangely Together

HAMRA ABBAS, Trees: Gardens of Paradise, 2019, marble, 7 × 2.4 × 2.4 m, at Qasim Park, Karachi, 2019. Commissioned for the 2019 Karachi Biennale. Photo by Jamal Ashiqain. Courtesy

Tavares Strachan: Beyond the Horizon

SAWANGWONGSE YAWNGHWE, The Myanmar Peace Industrial Complex (detail), 2017, oil on linen, 330 × 660 cm. Photo by Natasha Harth, Queensland Art Gallery | Gallery of Modern Art (QAGO

Age of Aquarius