Imported

Installation view of *ZHANG DING*’s solo exhibition “High-Speed Forms,” at OCAT Shanghai, 2019–20. Courtesy the artist.

Intoxicating Velocity in Zhang Ding's "HIGH-SPEED FORMS"

Installation view of ZHENG MAHLER’s Nostalgia Machines, 2019, video installation: 15 min, in collaboration with REIJIRO AOYAMA, at “Phantom Plane: Cyberpunk in the Year of the Futu

Phantom Plane: Cyberpunk in the Year of the Future

MARTHA ATIENZA, Tarong 11°16'12.0

Equation of State

Deep Roots

Installation view of *HO SIN TUNG*’s solo exhibition “Swampland,” at Hanart TZ Gallery, Hong Kong, 2020. All photos by South Ho Siu Nam. All images courtesy the artist and Hanart T

Swampland

Installation view of *TALOI HAVINI*’s _Habitat_, 2018–19, four-channel video: 10 min 35 sec, at “Reclamation,” Artspace, Sydney, 2019–20. All photos by Zan Wimberley. All images co

Reclamation

Installation view of *IAN WOO*'s solo exhibition “Joy of a preverbal dispenser,” at FOST Gallery, Singapore, 2020. All images courtesy the artist and FOST Gallery.

Joy of a preverbal dispenser

Installation view of *SALMAN TOOR*'s solo exhibition “I Know a Place,” at Nature Morte, New Delhi, 2019–20. All images courtesy the artist and Nature Morte.

I Know a Place

Installation view of “40 Years of Humanizing Technology,” at Design Society, Shenzhen, 2019–20. Courtesy Design Society.

40 Years of Humanizing Technology

Installation view of *NAVJOT ALTAF*’s solo exhibition “Samakaalik: Earth Democracy and Women’s Liberation,” at Parco Arte Vivente, Turin, 2019–20. Courtesy the artist and Parco Art

Samakaalik: Earth Democracy and Women’s Liberation

Installation view of *DUMB TYPE*’s _Playback_, 2018, mixed media sound installation, approx. 650 x 650 x 120 cm, at “Actions + Reflections,” Museum of Contemporary Art Tokyo, 2019–

Actions + Reflections

Installation view of *CORNELIA PARKER*’s _Subconscious of a Monument_, 2001–05, earth excavated from underneath Leaning Tower of Pisa (to stop it falling), dimensions variable, at

Cornelia Parker

Installation view of

Homelands: Art from Bangladesh, India and Pakistan

Installation view of “Work, Work, Work,” at Queensland Art Gallery | Gallery of Modern Art (QAGOMA), Brisbane, 2019–20. All images courtesy QAGOMA.

Work, Work, Work