Imported

Portrait of ERIC BOOTH.

1342°C

Portrait of ERIC BOOTH.

Emergency Exits

Terrestrial Affair

Terrestrial Affair

TISHAN HSU, Portrait, 1982, oil stick, enamel, acrylic, vinyl cement compound on wood, 145 × 221 × 15 cm. Collection of the artist. Photo by Jeff Lane. Copyright and courtesy the a

Liquid Circuit

Installation view of *OLAFUR ELIASSON*’s _Riverbed_, 2014, site-specific installation, dimensions variable, at Queensland Art Gallery | Gallery of Modern Art (QAGOMA), Brisbane, 20

“Water”: A Poetic Journey Toward an Ecological Future

Installation view of *SHIRIN NESHAT*’s _Illusions & Mirrors_, 2013, black-and-white digital video with sound: 13 min 22 sec, at “Dreamers,” National Gallery of Victoria (NGV), Melb

Subconscious Desires and fears in Shirin Neshat's "Dreamers"

Installation view of “Unravelled,” at City Gallery Wellington Te Whare Toi, 2020. All images courtesy City Gallery Wellington Te Whare Toi.

Minimalism "Unravelled"

Installation view of “Cognitive Dissidents: Reasons to be Cheerful,” at Griffith University Art Museum, Brisbane, 2020. Photo by Carl Warner. Courtesy Griffith University Art Museu

Infinite Feedback in “Cognitive Dissidents: Reasons to be Cheerful”

Installation view of “Taking Shape: Abstraction from the Arab World, 1950s–1980s” at Grey Art Gallery, New York University, 2020. All images courtesy Grey Art Gallery.

Taking Shape: Abstraction from the Arab World, 1950s–1980s

*GUANYU XU*, _Worlds Within Worlds_, 2019, archival pigment print, 108 x 133 cm. All images courtesy the artist and Yancey Richardson Gallery, New York.

Queering Spaces: Guanyu Xu's "Temporarily Censored Home"

Installation view of *KONG CHUN HEI*’s solo exhibition “Raise the Dimness,” at TKG+, Taipei, 2020. All images courtesy the artist and TKG+.

Internal Conflicts: Walk-through with Kong Chun Hei

Installation view of *RICHARD STREITMATTER-TRAN*’s solo exhibition “We No Longer See the Stars,” at de Sarthe Gallery, Hong Kong, 2020. All images courtesy the artist and de Sarthe

“We No Longer See the Stars”: Richard Streitmatter-Tran on the Surveillance State

Installation view of the entrance to “The Square: Part 3. 2019,” at National Museum of Modern and Contemporary Art (MMCA), Seoul, 2019–20. Courtesy MMCA, Gwacheon / Seoul / Deoksug

A Spectacular History of Icons — "The Square: Art and Society in Korea 1900–2019"

Installation view of “Japan Supernatural,” at Art Gallery of New South Wales, Sydney, 2020. Photo by Jenni Carter. Courtesy Art Gallery of New South Wales.

"Japan Supernatural": Phantom Beings Through the Ages