Shows

WANG KEPING, Bust, 2009–10, acacia, 78 × 38.1 × 36.8 cm. Courtesy the artist and Zürcher Studio, New York.

Wang Keping’s “Recent Works”

Installation view of Otolith Group’s

Otolith Group’s “Thoughtform”

Song Dong and Yin Xiuzhen at Shanghai Gallery of Art, 2011. Photo by Michael Young for ArtAsiaPacific. <br>

“The Couple Show”

TADASU TAKAMINE, God Bless America, 2002, video still. Courtesy Yokohama Museum of Art.

Tadasu Takamine’s “Too Far to See”

*PABLO BARTHOLOMEW*, _Taxi Driver With Passengers, Bombay_, 1979, archival pigment print, 16 x 24 in. Courtesy Sakshi Gallery, Mumbai.

Pablo Bartholomew’s “Chronicles of a Past Life: ’70s & ’80s in Bombay”

GAO BROTHERS, Double Portrait - Saddam, 2009, oil on canvas, 300 x 400 x 2 cm. Courtesy the artists.

Gao Brothers‘s “Portraits”

Installation view of *FENG MENGBO*’s _Long March: Restart_ (2008) at MoMA PS1, New York, 2010. Courtesy MoMA PS1.

Feng Mengbo’s “Long March, Restart”

Sopheap Pich’s “Morning Glory”

Sopheap Pich’s “Morning Glory”

FIONA TAN, Rise and Fall, 2009, two-channel video installation, video: 22 min. Installation view at the Dutch Pavilion, 53rd Venice Biennale, 2009. Photo by Per Kristiansen, Stockh

Fiona Tan‘s “Rise and Fall”

SUKI CHAN, Sleep Walk Sleep Talk, 2009, film still. Courtesy Tintype Gallery, London.

Suki Chan‘s “Utopia on the Horizon”

YIN XIUZHEN, Collective Subconscious, 2007, minibus, stainless steel, used clothes, stools, audio, 38-feet long. Collection of the artist.

Yin Xiuzhen’s “Collective Subconscious”

TOMOKO YONEDA, Major General Amin Ahmed Chowdhury: Left Pakistan Army to join the liberation war and as a valiant young officer led many heroic attacks, was severely injured in the

Tomoko Yoneda’s “Rivers Become Oceans”

HUMA BHABHA, ...And in the track of a hundred thousand years, out of the heart of dust hope sprang again, like greenness, 2007, wood, acrylic paint, clay, styrofoam, wire, leaves,

Huma Bhabha