Shows

Tan Zi Hao’s “The Tongue Has No Bones”

Tan Zi Hao’s “The Tongue Has No Bones”

Heidi Bucher: And Pull Yesterday into Today

Heidi Bucher: And Pull Yesterday into Today

Tetsumi Kudo’s “Cages”

Tetsumi Kudo’s “Cages”

Installation view of CHIHOI's

Chihoi’s “Leeway” and Yooyun Yang’s “With Hands”

Installation view of

Janine Antoni’s “In my holding”

*YANG JIECHANG*, _Hundred Layers of Ink: Ten Thousand Things_, 1997, Chinese ink on rice paper, gauze mounted on canvas, 168 x 96 cm (one of three). Courtesy Alisan Fine Arts, Hong

Interspecies Subversion in “The Last Tree”

*DAVID MEDALLA*, _Psychic Self-Defense_, 1983, c-print, 40.5 x 31 cm. Photo by Guy Brett. Courtesy of David Medalla Archive and another vacant space, Berlin.

Shows to See in July 2024

Installation view of

“Titik Garis Bentuk: Drawing As Practice”

Exterior of the Sorol Art Museum in Gangneung, Korea. Courtesy the Sorol Art Museum.

Sorol Art Museum Presents Agnes Martin’s First Solo Exhibition in Korea

Installation view of *LEE JIN WOO*'s untitled works at White Cube Hong Kong, 2024. Photo by Kitmin Lee. Courtesy the artist and White Cube Hong Kong.

Lee Jin Woo at White Cube

Portrait of *WALLACE CHAN* at his exhibition

Wallace Chan’s “Transcendence”

Installation view of

Hung Liu’s “Pulse, 1989–1996”

*RAJENDRA GOUR*, _Eyes_, 1968, 16mm film transferred to digital, 5 min. Courtesy Asian Film Archive, Singapore.<br>

Cinema of Subversion: Asian Avant-Garde Film Festival

Installation view of *KIMSOOJA* 's _To Breathe_, 2015, chromatic spectrum projection with mirror platform floor: 10 min 32 sec, dimensions variable, gallery installation: 9 x 675 x

Beauty and Essence in Kimsooja’s “Meta-Painting”