Shows

ALWAR BALASUBRAMANIAM, Kaayam (detail), 2008, four fiberglass and acrylic sculptures cast from the artist's body. Courtesy Talwar Gallery, New York / New Delhi.

Alwar Balasubramaniam

Installation on Connaught Road footbridge, part of JR's project Inside Out, 2011–ongoing. Courtesy Galerie Perrotin, Hong Kong / Paris.

JR’s “Pattern”

BILL HENSON, Untitled #2, 2011, archival inkjet pigment print, 127 X 180 cm. Courtesy Roslyn Oxley9 Gallery, Sydney.

Bill Henson’s nudes at Roslyn Oxley9 Gallery

*FENG ZIKAI*, _Life_, c. 1929, album leaf, ink on paper, 29.2 x 40.7 cm. Collection of the Zhejiang Provincial Museum. Courtesy Leisure and Cultural Services Department, Hong Kong.

“Imperishable Affection: The Art of Feng Zikai”

AI YAMAGUCHI, Michi Sugara, 2010. Photograph by Gabomi. Courtesy of Spiral/Wacoal Art Centre, Tokyo.

Ai Yamaguchi and Pip & Pop’s “Utakata Tayutau – The Blinking of an Eye”

HONG-SOON PARK, Hangang (River) – Gangwon-do, Yanggu-gun, Pyeonghwaui Dam #02 (2004), 2004, gelatin silver print, 96 x 120 cm. All images courtesy the Museum of Photography, Seoul

Hong-Soon Park’s “Mid-Report of Daedongyeojido Project”

NAOKO TOSA, Hong Kong, 2012, giclee print, 72.8 x 103 cm. Courtesy Input/Output, Hong Kong.

“New Media Art Showcase”

YUK KING TAN, The Limit of Visibility, 2012, single-channel HD video loop, 8 min 14 sec. Courtesy 2P Contemporary Art Gallery, Hong Kong.

Yuk King Tan’s and Chow Chun Fai’s “The Limit of Visibility”

JAISHRI ABICHANDANI, Klingon as Self, 2012, photo, 28 x 35.3 cm. Courtesy Rossi & Rossi, London.

The sexuality of “Stargazing”

KUSHANA BUSH, Pieta, 2011, gouache and pencil on paper, 760 x 560mm. Photo by Alan Dove. Courtesy the artist and Hocken Collections Uare Taoka o Hakena, University of Otago.

Kushana Bush’s “All Things To All Men”

BOOMOON, Stargazing at Sokcho #5, 1999, C-Print, 125 x 175 cm. Courtesy of Leeahn Gallery, Daegu.

Boomoon’s “In the Woods”

Exhibition view of

Chihiro Minato’s “Mind the Ma”

DINH Q. LE, Installation of the exhibition

Dinh Q. Le’s “Erasure”

FROG KING KWOK, Martin Wong East Village NYC, 1994, photo. Courtesy Para/Site Art Space, Hong Kong.

“Taiping Tianguo: A History of Possible Encounters” at Para Site