Shows

JOSE TENCE RUIZ, The Pro-Rated Wage of the Abang Guard, 2011, oil on primed linen, 91 x 132 cm. Collection Artesan Gallery + Studio, Singapore. Courtesy Nanyang Technological Unive

“Intersecting Histories: Contemporary Turns in Southeast Asian Art”

SONG MING ANG, Parts and Labour, 2012, video. Courtesy Future Perfect, Singapore.

Song Ming Ang’s “Cover Versions”

O ZHANG, I Am Your Mirror, 3 (Palm Desert, California), 2012, c-print. Courtesy the Vilcek Foundation, New York.

O Zhang’s “I Am Your Mirror”

DALE FRANK, Too cool to matter, 2012, varnish on canvas, 160 x 120 cm. Courtesy Art Statements Hong Kong.

Dale Frank’s “New Works”

CHAOUKI CHAMOUN, In the Beginning was the Search for Word, 2011, acrylic on canvas, 63 x 59 inches 160 x 149.9 cm. Courtesy Sundaram Tagore Gallery, Hong Kong.

“Written Images: Contemporary Calligraphy from the Middle East”

ADEEL UZ ZAFAR, I Am Angry & I Mean It, 2012,engraved drawing on plastic vinyl, 274 x 244 cm. Courtesy Lawrie Shabibi Gallery, Dubai.

“Stop, Play, Pause, Repeat”

ALWAR BALASUBRAMANIAM, Kaayam (detail), 2008, four fiberglass and acrylic sculptures cast from the artist's body. Courtesy Talwar Gallery, New York / New Delhi.

Alwar Balasubramaniam

Installation on Connaught Road footbridge, part of JR's project Inside Out, 2011–ongoing. Courtesy Galerie Perrotin, Hong Kong / Paris.

JR’s “Pattern”

BILL HENSON, Untitled #2, 2011, archival inkjet pigment print, 127 X 180 cm. Courtesy Roslyn Oxley9 Gallery, Sydney.

Bill Henson’s nudes at Roslyn Oxley9 Gallery

*FENG ZIKAI*, _Life_, c. 1929, album leaf, ink on paper, 29.2 x 40.7 cm. Collection of the Zhejiang Provincial Museum. Courtesy Leisure and Cultural Services Department, Hong Kong.

“Imperishable Affection: The Art of Feng Zikai”

AI YAMAGUCHI, Michi Sugara, 2010. Photograph by Gabomi. Courtesy of Spiral/Wacoal Art Centre, Tokyo.

Ai Yamaguchi and Pip & Pop’s “Utakata Tayutau – The Blinking of an Eye”

HONG-SOON PARK, Hangang (River) – Gangwon-do, Yanggu-gun, Pyeonghwaui Dam #02 (2004), 2004, gelatin silver print, 96 x 120 cm. All images courtesy the Museum of Photography, Seoul

Hong-Soon Park’s “Mid-Report of Daedongyeojido Project”

NAOKO TOSA, Hong Kong, 2012, giclee print, 72.8 x 103 cm. Courtesy Input/Output, Hong Kong.

“New Media Art Showcase”

YUK KING TAN, The Limit of Visibility, 2012, single-channel HD video loop, 8 min 14 sec. Courtesy 2P Contemporary Art Gallery, Hong Kong.

Yuk King Tan’s and Chow Chun Fai’s “The Limit of Visibility”