Shows

JANET LAURENCE, Ash and Pollen, 2013, duraclear on acrylic, mirror, earth and pigment in oil, 125 x 61 cm. Courtesy the artist and Cat Street Gallery, Hong Kong.

Janet Laurence’s “Plants Eye View”

EIKOH HOSOE, “Man and Woman” (1960), gelatin silver print, 16.8 x 29.8 cm. Courtesy the artist and Miyako Yoshinaga Gallery, New York.

Eikoh Hosoe’s "Curated Body: 1959–1970"

NICKY NODJOUMI, Inspector's Scrutiny, 2012, oil on canvas, diptych, 215. 9 x 330.2 cm. Courtesy Taymour Grahne.

Nicky Nodjoumi’s “Chasing the Butterfly and Other Recent Paintings”

In and Around Istanbul’s Biennial Week

SLAVS AND TATARS, installation view of ωXXX (“ekh”), 2013, at Art Space Pythagorion, Greece, 2013. Photo by Orestis Argiropoulos. Courtesy Art Space Pythagorion.

Slavs and Tatars’ “Long Legged Linguistics”

TEJAL SHAH, still from Between the Waves, 2012, five-channel video installation, channel I,

“My Dear You Shouldn’t Believe in Fairytales”

YAM LAU, installation view of Between Past and Present: Lived Moments in Beijing, 2012, at Darling Foundry, Montreal, 2013. Courtesy Darling Foundry.

Yam Lau’s “The World is a Model of the World”

Installation view of

“The Artist, the Book and the Crowd”

SHIH CHIEH HUANG, installation view of

Shih Chieh Huang’s “Synthetic Seduction”

EKO NUGROHO, The World Words (Religion as Weapon), 2012, machine embroidered rayon thread on fabric backing, 148x96 cm. Photo by Oki Permatasari. Courtesy the artist and Lehmann Ma

“Writing Without Borders” at Lehmann Maupin

SIMON FUJIWARA, installation view of “Studio Pietà (King Kong Komplex),” 2013. Mixed-media installation, dimensions variable. Photo by Lance Brewer. Courtesy of Andrea Rosen Galler

Simon Fujiwara’s “Studio Pietà (King Kong Komplex)”

MAP OFFICE, Installation view of

MAP Office’s “The Oven of Straw”

ALIA SYED, Eating Grass, 2003, 16mm film, transferred to HD DVD, Sound, 22: 56 min. Image courtesy the artist and Talwar Gallery.

Alia Syed’s “Eating Grass”

HAEGUE YANG, Dress Vehicle – Zig Zag, 2012, mobile performative sculpture, aluminium Venetian blinds, powder- coated aluminium frame, magnets, knitting yarn, bells, rubber ropes, c

Haegue Yang’s “Family of Equivocations”