Shows

<b>TAD ERMITAÑO</b>, <i>Bell</i>, 2011, dimensions variable. Courtesy ADM Gallery, Nanyang Technological University, Singapore.

“Immaterial Frontiers”

Installation view of Taus Makhacheva's

Taus Makhacheva’s “Story Demands to be Continued”

Yoko Ono at the press conference for her first Australian survey show

Yoko Ono’s “War is Over! (If you want it)”

TIFFANY CHUNG, stored in a jar: monsoon, drowning fish, color of water, and the floating world, 2010–2011, Plexiglass, wood veneer, plastic, aluminum, paint, steel cable, foam and

Tiffany Chung’s “The Galapagos Project: on the brink of our master plans” and ”an archeology for future remembrance”

Screen shots of Anthony Marcellini and Heman Chong's Twenty Plots for Things to Come (2013), an interactive website currently on view at Yerba Buena Center for the Arts, San Franci

Heman Chong and Anthony Marcellini’s “Twenty Plots for Things to Come”

ISAMU NOGUCHI, Seated Female Nude: Scroll (Kakemono), 1930, hanging scroll, ink on paper, 297.2 x 129.5 cm. Courtesy The Noguchi Museum, New York.

“Isamu Noguchi and Qi Baishi: Beijing 1930”

KIMSOOJA, Thread Routes-Chapter 1, 2010, 16 mm film transferred to HD format, 29 min 31 sec.Courtesy Kimsooja Studio and Kukje Gallery, Seoul.

Kimsooja’s “Unfolding”

ROBERT ZHAO RENHUI, Changi, Singapore, Possibly 1970s, 2011, artist proor, 121 x 84 cm. Courtesy the artist and Chan Hampe Galleries, Singapore.

Chan Hampe Galleries journey to “Motherland”

Installation view of

Chen Ching-Yuan’s “(flare-s)”

MIKE PARR, installation view of

Mike Parr’s “Easter Island”

SHOJA AZARI, Banquette of Houries, (The King of Black), 2013, lenticular 3D depth on acrylic sheet, 76.2 x 105.41 cm. Courtesy Leila Heller Gallery, New York.

Shoja Azari’s “Fake – Idyllic Life”

PUTU SUTUWIJAYA, Silent Temple of Plaosan, 2013, mixed media on canvas, 150 x 200 cm. Courtesy Gajah Gallery, Singapore.

“Lokanat – Ground Zero”

MOON BEOM, Secret Garden #320_ivory green, paynes gray, 2013, acrylic, oilstick on canvas, 182.9 x 228.6 cm. Courtesy Kim Foster Gallery, New York.

Moon Beom’s “Secret Garden”

LYOTA YAGI, Animated Clock, 2013, reversed mobile clocks with diaporama slits and mirror, various dimensions. Courtesy Platform China, Hong Kong.

Takehiro Iikawa and Lyota Yagi’s “Once Was Now, Now is Over, Yet Will Come”