Shows

LENG HONG, Spring Musing-V, 2013, oil on canvas,100 x 80 cm. Courtesy Alisan Fine Arts, Hong Kong.

Leng Hong's “As Last Night Twinkle Stars, As Last Night Blows The Breeze”

Entrance to the National Pavilion of Iraq housed in Ca’ Dandolo, a 16th-century building overlooking the Grand Canal in the San Tomasso District of Venice. Copyright Ruya Foundatio

National Pavilion of Iraq at the 56th Venice Biennale

ERWIN OLAF, Berlin, Stadtbad Neukölln, 2012, C-print, 60 × 90 cm. Courtesy Art Statements, Hong Kong.

Erwin Olaf: “Keyhole, Berlin, Waiting”

SLAVS AND TATARS, The Squares and Circurls of Justice, 2014, steel, textile, cotton turbans and polyester hats, 170 x 600 x 40 cm. Installation view for “Mirrors for Princes: Both

“Mirrors for Princes: Both Sides of the Tongue”

ALWAR BALASUBRAMANIAM, Into One, 2011–14, cast aluminum, patina and lacquer, 183 x 122 x 107 cm. Courtesy the artist.

Alwar Balasubramaniam: “Layers of Wind, Lines of Time”

HERA BÜYÜKTAŞÇIYAN, Destroy your house, build up a boat, save life, 2014–15. Installation view in

“A Century of Centuries”

ERIC BAUDART, Atmosphère, 2015, aquarium, oil and megaphone, 47 x 80 x 50 cm. Courtesy Edouard Malingue Gallery, Hong Kong.

Eric Baudart: “Again, Again and Again”

BEATRIZ MILHAZES, Small Windows, 2014, collage, 90 x 108 cm. Copyright the artist. Courtesy White Cube, Hong Kong.

Beatriz Milhazes

ZHENG GUOGU and the YANGJIANG GROUP

56th Venice Biennale, Part 3: Collateral Exhibitions

ALBERT YONATHAN SETYAWAN, Mandala Study #3, 2014, ceramic, dimensions variable. Courtesy Mizuma Gallery, Singapore.

Albert Yonathan Setyawan: “Apotheose ”

All photos by HG Masters for ArtAsiaPacific.<br>

56th Venice Biennale, Part 2: National Pavilions

Installation view of YAYOI KUSAMA's Dots Obsession, 2015, for

Yayoi Kusama's “A Dream I Dreamed”

Given the racially fueled unrest making news in the United States, Israel and across Europe, Enwezor's focus on Black and African history was incredibly timely. Here the Central Pa

56th Venice Biennale, Part 1: Central Exhibition “All The World’s Futures”

NADIA KAABI-LINKE, The Altarpiece, 2015, transfer print and acrylic on paper on canvas and a wooden frame coated in 24k gold leaf, 250 x 450.4 x 6.3 cm. Courtesy the artist and Law

Nadia Kaabi-Linke’s “Farenheit311: Seven Legends of Machismo”