Shows

ZHENG GUOGU and the YANGJIANG GROUP

56th Venice Biennale, Part 3: Collateral Exhibitions

ALBERT YONATHAN SETYAWAN, Mandala Study #3, 2014, ceramic, dimensions variable. Courtesy Mizuma Gallery, Singapore.

Albert Yonathan Setyawan: “Apotheose ”

All photos by HG Masters for ArtAsiaPacific.<br>

56th Venice Biennale, Part 2: National Pavilions

Installation view of YAYOI KUSAMA's Dots Obsession, 2015, for

Yayoi Kusama's “A Dream I Dreamed”

Given the racially fueled unrest making news in the United States, Israel and across Europe, Enwezor's focus on Black and African history was incredibly timely. Here the Central Pa

56th Venice Biennale, Part 1: Central Exhibition “All The World’s Futures”

NADIA KAABI-LINKE, The Altarpiece, 2015, transfer print and acrylic on paper on canvas and a wooden frame coated in 24k gold leaf, 250 x 450.4 x 6.3 cm. Courtesy the artist and Law

Nadia Kaabi-Linke’s “Farenheit311: Seven Legends of Machismo”

*FIRENZE LAI*, _This is Not Yours_, 2015, oil on canvas, 91.5 x 122 cm. Courtesy the artist and Para Site, Hong Kong.

“A Hundred Years Of Shame–Songs of Resistance and Scenarios for Chinese Nations”

Installation view of

Rudolf Stingel

Installation view of SUN YUAN and PENG YU's Dear (2013) for

Sun Yuan & Peng Yu and Jin Shan: “Dear, Why Freedom”

Installation view of <b>LEUNG CHI WO</b> and <b>SARA WONG</b>'s exhibition

Leung Chi Wo and Sara Wong’s “Museum of the Lost”

<b>SUBODH GUPTA</b>, <i>This is not a fountain,</i> 2011 –13, old aluminium utensils, water, painted brass taps, PVC pipes, motor, 165.1 x 482.6 x 784.9 cm. Photo by Genevieve Hans

Subodh Gupta’s “Seven Billion Light Years”

Installation view of

“Inside China – L’Intérieur du Géant (Hong Kong Station)” at K11 Art Foundation

SIMON BIRCH, <i>Fears Wrongs Doubts Spinward</i>, 2014, oil on canvas, 216 x 175 cm. Courtesy Ben Brown Fine Arts, Hong Kong.

Simon Birch: “The Inevitable”

Installation view of ARIK LEVY's “Manmade (Human) Nature” at Pékin Fine Arts, Hong Kong, 2015, with CraterAir C80 (2013) in the foreground. Courtesy Pékin Fine Art.

Arik Levy’s “Manmade (Human) Nature”