Shows

*LEUNG CHI WO*, _Frater_, 2015, sewing machine, black-and-white film negative, 50-cent Hong Kong coins from 1967, low speed motor and steel frame, 146.5 x 65 x 55 cm. Installation

Leung Chi Wo’s “Tracing Some Places”

National Gallery Singapore's UOB Southeast Gallery. Courtesy National Gallery Singapore.

Between Declarations and Dreams: Art of Southeast Asia Since the 19th Century

DO HO SUH, My Homes, 2014, thread drawing embedded on STPI handmade cotton paper, 147.5 x 274.5 cm. Courtesy Singapore Tyler Print Institute.

Do Ho Suh’s “New Works”

Installation view from “Live Art 1995 – 2015” at the Sheung Wan Civic Centre Exhibition Hall. Courtesy M+, West Kowloon Cultural District.

Mobile M+: Live Art

*FUNG MING CHIP*, _Vacant Script, Post Marijuana_, 2015, ink on paper, 136.5 x 69.5 cm. Courtesy Galerie du Monde, Hong Kong.

Fung Ming Chip’s “SHU-FA SUTRA”

Installation view of

Tetsumi Kudo’s Playful Paris Years

DINH Q. LÊ, Untitled (Double Woman), 2003, C-print and linen tape, 96.5 x 182.9 cm. Copyright and courtesy Mori Art Museum, Tokyo.

Tokyo: Dinh Q. Lê

EIKOH HOSOE, Ordeal by Roses #32, 1961, gelatin silver print, 42.7 x 60.3 cm. Copyright the artist. Courtesy Taka Ishii Gallery, Tokyo.

Up Close: Eroticism in the Works of Eikoh Hosoe, Daido Moriyama and Nobuyoshi Araki

Installation view of “Clamour Can Melt Gold

“Clamour Can Melt Gold” at Edouard Malingue Gallery

Installation view of DEXTER SY's

Dexter Syd’s “Identity Crisis”

Field Trip: Istanbul Biennial – “Saltwater”

Installation view of “Imagine There’s No Country, Above Us Only Our Cities” at Para Site, Hong Kong, 2015. Courtesy Para Site.

“Imagine there’s no country, Above us only our cities”

SOYOUNG CHUNG, Circular Strata, 2013, super pirror, concrete wood, sand, cork, stone, fake grass and wire, dimensions variable. Courtesy One and J. Gallery, Seoul.

A Refreshing Sense of “Drift”

TINTIN WULIA, <i>Untold Movements Act 1: Neitherland, Whitherland, Hitherland</i>, 2015, 32-channel sound installation, dimensions variable. Photo by Justin Malinowski. Courtesy 4A

Tintin Wulia’s “Untold Movements”