Shows

Installation view of SIMON STARLING‘s exhibition, which lifts elements from WB Yeats’ noh-inspired production At the Hawk’s Well (1916). At the foreground is At Twilight / Mask of

Simon Starling’s “At Twilight (After WB Yeats’ Noh Reincarnation)”

*HERI DONO*, _Flying Angels_, 1996, fiberglass, fabric, bamboo, electronic devices, cable, automatic timer, 10 pieces, 120 x 40 x 60 cm each. Courtesy Tang Contemporary Art, Bangko

Heri Dono’s “Angel’s Exodus”

Installation view of RYUDAI TAKANO's “When the absence of light touches the ground, Distance is lost and distance created” at Yumiko Chiba Associates, Tokyo, 2016. Courtesy Yumiko

Ryudai Takano’s “When the absence of light touches the ground, distance is lost and distance created”

Installation view of

Taiwanese Artists Look “For a Better Tomorrow”

*IP YUK YIU*, _Clouds Falling_, 2016, still from single-channel video. Courtesy the artist.

Ip Yuk Yiu’s “Clouds Falling: Machinima”

*TREVOR YEUNG*, _The Cave_, 2016, table cloth, wood, cocktail tables, ceiling fans and LED lights, dimensions variable. Courtesy the artist and Blindspot Gallery, Hong Kong.

Trevor Yeung’s “The Sunset of Last Summer”

*ALEXIS TEPLIN*, _Arch (The Politics of Fragmentation)_, 2016, oil and pigment on linen paintings and performances at Cockatoo Island. Courtesy the artist, Mary Mary, Glasgow, and

20th Biennale of Sydney: "THE FUTURE IS ALREADY HERE – IT’S JUST NOT EVENLY DISTRIBUTED"

Installation view of Chung Sang-Hwa's solo exhibition at Dominique Levy Gallery, New York, 2016. Courtesy Dominique Lévy Gallery.

Chung Sang-Hwa at Dominique Lévy

*GABRIEL OROZCO*, _Suisai III_, 2016, watercolor on gold card, 27 x 24 cm. Courtesy White Cube, Hong Kong.

Gabriel Orozco’s “Suisai: Tokyo Strokes”

*HIMMAT SHAH*, _Untitled_, 1962, collage on paper. Courtesy Kiran Nadar Museum of Art, New Delhi.

Hammer on the Square

*KONSTANTIN BESSMERTNY*, _Wheel of Fortune_, 2016, oil on wood, 34.5 x 25.8 x 4 cm. Courtesy the artist and Ross & Rossi, Hong Kong.

Deity of Doubt

*CHEN XIAOYUN*, _The Lightning in the Eyes of Three Travelers_, 2016, aluminum plate and hard electroplating coloring, 62 x 200 x 3 cm. All photos by Andrew Stooke for ArtAsiaPacif

106 Flashes of Lightning that I Collect

*AMY LEE SANFORD*, _Full Circle, Unbounded Arc_, 2016, clay, glue and string, dimensions variable. Courtesy the artist and InCube Arts, New York.

"INTERLACE: Three Artists in the Cambodian Diaspora"

Installation view of *ANNIE LEIBOVITZ*'s exhibition

Annie Leibovitz’s "Women: New Portraits"