Shows

*GUAN WEI*, _Reflection No.11_, 2016, acrylic on canvas, triptych: 130 x 162 cm. Courtesy the artist and Martin Browne Contemporary, Sydney. <br>

Guan Wei’s “Reflection” on History

İZ ÖZTAT AND FATMA BELKIS, Who Carries the Water, 2015/17, wood-printed naturally dyed muslin, palm fronds and carobs, 19-pages text reproduced with the mimeograph and silkscreen,

Sharjah Biennial 13, Tamawuj: Day 4

DO HO SUH, installation view of the exhibition “Passage/s” at Victoria Miro, London, 2017. Copyright the artist. Photo by Thierry Bal. Courtesy the artist, Lehmann Maupin, New York

Do Ho Suh’s “Passage/s”

MARIANA CASTILLO DEBALL, Hypothesis of a Tree, 2016, Bamboo structure, rubbings on Japanese paper, Sumi ink, with MONIKA SOSNOWSKA, Facade, 2013, painted steel, in the background.

Sharjah Biennial 13, Tamawuj: Day 3

COME INSIDE, installation view of Snap Like Snow Wallpaper, A4 color print 800 pages, and Snap Like Snow, two-channel video (both 2017), for the exhibition

Come Inside’s “Baby Shower”

Left to right: Sharjah Biennial 13

Sharjah Biennial 13, Tamawuj: Day 2

Ossama Mohammed on stage at the Al-Hamra Cinema in Sharjah, following a screening of his film Kutwa Kutwa (

Sharjah Biennial 13, Tamawuj: Day 1

MAHMOUD BAKHSHI, The Unity of Time and Place (detail), 2017, mixed media, dimensions variable. Copyright the artist. Courtesy the artist and Narrative Projects, London.

Mahmoud Bakhshi’s “The Unity of Time and Place”

LEE WEN, Untitled (Raffles), 2000, video and interactive site-specific installation. Video by Russell Miledge and Kai Lam. Photo by Ken Cheong. Collection of National Gallery Singa

“Artist and Empire: (En)countering Colonial Legacies”

VIK MUNIZ, Metachrome (No. 3/No. 13, after Mark Rothko), 2016, archival pigment print, 134 x 101.6 cm. Courtesy Ben Brown Fine Arts, Hong Kong.

Vik Muniz’s “Metachromes”

*YUKO MOHRI*, _More More [Leaky]: The Falling Water Given #4-6_, 2017, wood frames, found objects and water pump system, dimensions variable. Installation view at White Rainbow, Lo

Yuko Mohri’s “Moré Moré [Leaky]”

Installation view of TEAMLAB's exhibition

TeamLab’s “Transcending Boundaries”

Installation view of DALE FRANK's solo exhibition at Pearl Lam Galleries, Hong Kong, 2017. (Front) Warszawa, 2016, mixed white human hair on Perspex, 200 x 200 x 8 cm. Courtesy Pea

Dale Frank in Hong Kong

Installation view of

“Beyond Boundaries: Art by Email”