Shows

*ANJOLIE ELA MENON*, _Parvati with Ganesh_, 2016, oil on masonite board, 91.4 x 61 cm. Courtesy Aicon Gallery, New York.

Anjolie Ela Menon’s “A Retrospective”

Documenta 14, Kassel (Part 3)

Cary Fowler is the subject of _Seeds of Time_ (2013), a documentary film directed by *SANDY MCLEOD*. Courtesy the Shanghai Project.

“Seeds of Time”

Although Documenta in Kassel has downplayed the title “Learning from Athens,” it features an appropriate work, *MARTA MINUJÍN*’s The _Parthenon of Books_ (2017), which faces the ne

Documenta 14, Kassel (Part 2)

*YANG YONGLIANG*, _Infinite Landscape_, 2011, blu-ray video: 7 min 30 sec. Courtesy the artist and White Rabbit Collection, Sydney.

“The Dark Matters”

*MARTA MINUJÍN*’s _The Parthenon of Books_ has been underway since October 2016 on Friedrichsplatz, Kassel. Originally created in Buenos Aires in 1983 with 25,000 books locked up d

Documenta 14, Kassel (Part 1)

Installation view of *HIROSHI SUGIMOTO*'s

Hiroshi Sugimoto’s “Le Notti Bianche”

*ALI BANISADR*, _Trust in the Future_, 2017, oil on linen, 208 x 305 cm. Courtesy the artist and Sperone Westwater, New York.

Ali Banisadr’s “Trust in the Future”

Installation view of *RAMIN HAERIZADEH*, *ROKNI HAERIZADEH* and *HESAM RAHMANIAN*'s mixed-media installation _Another Happy Day_ (2016-17) in

“The Creative Act: Performance, Process, Presence”

*JOYCE HO*, _A Day at FY Foundation_, 2017, video installation: 6 min 7 sec. Courtesy the Frank F. Yang Art and Education Foundation.

“Everything You Need to Know about the FY Foundation: An Exhibition”

View of Aya Sofya (Hagia Sophia) from the upper floor of the Ebud Efendi Mansion, in Istanbul, where the Sharjah Biennial 13 exhibition

Sharjah Biennial 13: Istanbul, “Bahar”

*ROSE NOLAN*, _Big Words-To Keep Going, Breathing Helps (Circle Work)_, 2016-17, synthetic polymer paint, hessian, velcro, steel, 425 x 600 x 515 cm. Photo by Ken Leanfore. Courtes

“The National 2017: New Australian Art”

Installation view of

“Endurance: New Works by Xie Xiaoze”

*MATJAZ TANCIC*, _#68. Miss KIM + Miss YANG, Meari Shooting Range_, 2014, pigment prints gloss archival paper, 93 x 140 cm. Courtesy the artist and Pekin Fine Arts, Hong Kong.

“Posers II” at Pékin Fine Arts