Shows

Rooftops of Venice. All photos by HG Masters for ArtAsiaPacific.

57th Venice Biennale, Part 4: Collateral Exhibitions

Installation view of *RYOJI IKEDA*'s “π, e, ø” at Almine Rech Gallery, London, 2017. Courtesy Almine Rech Gallery.

Ryoji Ikeda’s “π, e, ø”

Installation view of *HA CHONG-HYUN*'s eponymous exhibition at Almine Rech Gallery, Paris, 2017. Courtesy the artist and Almine Rech Gallery.

Ha Chong-hyun at Almine Rech Gallery in Paris

A re-creation of the

57th Venice Biennale, Part 3: National Pavilions in the Arsenale

Installation view of *MAKOTO OFUNE*'s eponymous exhibition at Olivier Malingue, London, 2017. Photo by Plastiques Photography. Courtesy Olivier Malingue Ltd.

Makoto Ofune at Olivier Malingue

The exterior of the Korea Pavilion in the Giardini, with *CODY CHOI*'s neon signage piece Venetian Rhapsody (2017) on the roof. All photos by HG Masters for ArtAsiaPacific.

57th Venice Biennale, Part 2: National Pavilions in the Giardini

Installation view of *WALID RAAD*'s

Walid Raad’s “Yet Another Letter to the Reader”

The exterior of the Central Pavilion in the Giardini draped with a colorful fabric work, Yves Klein Blue (2016) by SAM GILLIAN, an American Color Field painter who previously exhib

57th Venice Biennale, Part 1: Viva Arte Viva

*NADIM KARAM*, _Raining Thoughts_, 2015, mixed media and gold leaf on canvas, 205 x 205 cm. Courtesy The Fine Art Society, London.

Nadim Karam’s “Urban Stories”

AYŞE ERKMEN, Kıpraşım Ripple installation (detail), 2017, 420 x 2555 x 1090 cm. Photo by Hadiye Cangökçe. Courtesy the artist and Dirimart Gallery, Istanbul.

Ayşe Erkmen’s “Kıpraşım Ripple”

*OH SOON-HWA*, _Fishing in the Rice Field_, 2017, digital inkjet color print on photographic paper, 80 x 120 cm. Courtesy the artist and The Private Museum, Singapore.

Oh Soon-Hwa’s “Coastal Regions (Delta)”

Kyotographie’s co-founders Yusuke Nakanishi and Lucille Reyboz with MALICK SIDIBÉ’s Nuit de Noël (Happy Club) (1963) from the exhibiton

Highlights from Kyotographie 2017

Installation view of

Visit the Wild Hong Kong in “Reversal Ritual”

*SOHEILA SOKHANVARI*, _Paradise Lost_, 2017, crude oil on paper, 20 pieces, 38 x 38 cm each. Courtesy the artist and Jerwood Visual Arts Project Space.

Soheila Sokhanvari’s “Paradise Lost”