Shows

Installation view of

“The Other Face of the Moon”

Installation view of THE PROPELLER GROUP's survey exhibition at the San Jose Museum of Art, 2017. Photo by JKA Photography. Courtesy San Jose Museum of Art.

“The Propeller Group”

JEWYO RHII, detail of Drawing Table –Outside the Comfort Zone, Day 3–, 2016, aluminum, stainless steel, spray paint, fabric and paper, 90 × 290 × 220 cm. Courtesy Amanda Wilkinson

Jewyo Rhii’s “The Day 3, Walls and Barbed”

*FÜREYA KORAL* in front of her ceramic wall panel in the Istanbul Textile Traders Market in 1966. Photo by Ara Güler. Courtesy Karşılaşmalar, Istanbul.

Füreya Koral’s “Füreya”

*ARAYA RASDJARMREARNSOOK*, _Betweenness_, from the compilation _I Was Just Told That My Work is More or Less Too Sad for Christmas_, 2017, still from single-channel video: 22 min.

Araya Rasdjarmrearnsook’s “An Artist is Trying to Return to ‘Being a Writer’”

*CHRISTIAN BOLTANSKI*, _Dispersion_, 1991-2017, used clothing and bags, dimensions variable. Photo by Agostino Osio. Courtesy the artist and Pirelli HangarBicocca, Milan.

“Take Me (I’m Yours)”

Installation view of AFRUZ AMIGHI's

Afruz Amighi’s “Echo’s Chamber”

Installation view of works by KENZI SHIOKAVA at

Transpacific Borderlands: The Art of Japanese Diaspora in Lima, Los Angeles, Mexico City and São Paulo

PASCAL HACHEM, Left Under, 2017, wooden brushes, metal structures, step motor and electrical board. Photograph by Andy Stagg. Courtesy The Mosaic Rooms, London.

Pascal Hachem’s “The Show Has a Long Title That I Don’t Recall Anymore”

Installation view of *ANGKI PURBANDONO*'s

“If You Give Me Lemon, I’ll Make Lemonade: Tales from Tokyo and Tangkahan”

Installation view of *SHIMON MINAMIKAWA*'s _Three Sphinx_, 2017, and _Untitled, Untitled_, 2017, at

Shimon Minamikawa’s “A Language All Your Own”

KRISTINA WONG, (left) Chinatown Stories: Realizing the Imagined, 2003, postcards, 10.16 x 15.24 cm each, produced in collaboration with Steven Wong; (right) Chinese New Year Parade

“In Search of Miss Ruthless”

TeamLab, Flower Forest: Lost, Immersed and Reborn, 2017, interactive digital installation with sound by Hideaki Takahashi, dimensions variable. Courtesy the artists and Pace Beijin

TeamLab’s “Living Digital Forest and Future Park”

*DONG YUAN*, _Four Seasons_, 2015, acrylic and water color on canvas, 60 x 150 cm. Courtesy the artist and Chambers Fine Art, New York.

Dong Yuan, Lam Tung Pang, and Lao Tongli in “Transitions”