Shows

Installation view of SHILPA GUPTA's 1:384943, 2017, steel and brass, 7 meters, at

Shilpa Gupta’s “Drawing in the Dark”

Installation view of PATTY CHANG's Invocation for a Wandering Lake I (2015) and Invocation for a Wandering Lake II (2016) at

Patty Chang’s “The Wandering Lake”

*TAN TIAN*, _Parenthood #7 (Wood Curtain)_, 2017, timber and oil paint, dimensions variable. Courtesy the artist and Chambers Fine Art, New York.

“Roadside Picnic”

*ILYA AND EMILIA KABAKOV*, _Not Everyone Will Be Taken into the Future_, 2001, wooden construction, railway car fragment, running-text display and paintings, dimensions variable. C

Ilya and Emilia Kabakov’s “Not Everyone Will Be Taken into the Future”

Installation view of

Condo London 2018

Installation view of *ANGELICA MESITI*'s

Angelica Mesiti’s “Relay League”

Forming Queer Kinships in “Koloni”

Exhibition view of

“Age of Terror: Art Since 9/11”

Installation view of SHAKE’s “Re-Re-positioning the Present” at the International Studio & Curatorial Program, New York, 2017. Photo by Martin Parsekian. Courtesy of International

Shake’s “Re-Re-positioning the Present”

Installation view of C. SPENCER YEH's

C. Spencer Yeh’s “Shocking Asia”

Installation view of *LEE BUL*'s

Lee Bul’s “After Bruno Taut”

*MICHAEL STEVENSON*, _Serene Velocity in Practice: MC510/CS183_, 2017, mixed media, dimensions variable, commissioned by the Auckland Art Gallery Toi o Tāmaki, with commissioning p

“Serene Velocity in Practice: MC510/CS183”

Installation view of

“Datumsoria: The Return of the Real”

ZARINA HASHMI, Cities I Called Home, 2010, portfolio of five woodcut prints and text on handmade Nepalese paper, 66 x 51 cm each. Courtesy the artist.

Zarina Hashmi’s “Dark Roads”