Shows

Installation view of *ANGKI PURBANDONO*'s

“If You Give Me Lemon, I’ll Make Lemonade: Tales from Tokyo and Tangkahan”

Installation view of *SHIMON MINAMIKAWA*'s _Three Sphinx_, 2017, and _Untitled, Untitled_, 2017, at

Shimon Minamikawa’s “A Language All Your Own”

KRISTINA WONG, (left) Chinatown Stories: Realizing the Imagined, 2003, postcards, 10.16 x 15.24 cm each, produced in collaboration with Steven Wong; (right) Chinese New Year Parade

“In Search of Miss Ruthless”

TeamLab, Flower Forest: Lost, Immersed and Reborn, 2017, interactive digital installation with sound by Hideaki Takahashi, dimensions variable. Courtesy the artists and Pace Beijin

TeamLab’s “Living Digital Forest and Future Park”

*DONG YUAN*, _Four Seasons_, 2015, acrylic and water color on canvas, 60 x 150 cm. Courtesy the artist and Chambers Fine Art, New York.

Dong Yuan, Lam Tung Pang, and Lao Tongli in “Transitions”

Installation view of RYUJI TANAKA's eponymous exhibition at Simon Lee Gallery, London, 2017. Courtesy Simon Lee Gallery.

Ryuji Tanaka’s Post-Nihonga Abstraction

Installation view of *NOH SUNTAG*'s

Noh Suntag’s “The 4th Wall: State of Emergency II”

*AISHAN YU*, _1=0.999999999999999... (1)_, 2017, pencil and acrylic on card, 55 x 43 cm. Courtesy the artist and Lychee One gallery.

Aishan Yu’s “1=0.999999999999999. . .”

*CIPRIAN MURESAN*, _Dead Weights_ (detail), 2013, etchings, wooden drawing boards and art books, 120 x 100 x 70 cm. Courtesy Pera Museum.

“Doublethink: Double Vision”

*SULAFA HIJAZI*, (left) _Branding_, 2016, lenticular print, 60 x 60 cm; (right) _Scarecrow_, lenticular print, 60 x 60 cm. Courtesy the artist.

Sulafa Hijazi’s “Animated Images 002”

Installation view of *SURENDRAN NAIR*'s

Surendran Nair’s “Cuckoonebulopolis: (Flora and) Fauna”

<b>SIU WAI HANG</b>, <i>Inside Outland</i>, 2013, HD silent video and lightbox: 5 min 7 sec. Courtesy the artist.

“Breathing Space: Contemporary Art from Hong Kong”

*DENYS VINZANT*, _D'Ore et d'Espace_, 2000-12, sound and visual installation, dimensions variable. Courtesy Grame, Centre National de Creation Musicale, Lyon.

“Listening to Transparency”

Installation view of *DACCHI DANG*'s

Dacchi Dang’s “An Omen Near and Far”