Shows

Installation view of ALA YOUNIS’s

Ala Younis’s “Plan for Feminist Greater Baghdad”

*DUMB TYPE*, _Playback_, 2018, video installation with glass table and screens, 71.5 x 213.5 x 74.2 cm. Photo by Jacqueline Trichard. Courtesy the artists and Centre Pompidou-Metz.

“Dumb Type”at Centre Pompidou-Metz

CUI XINMING, Genre Painting Study 5 – L, 2017, oil on canvas, 70 x 60 cm. Courtesy the artist and Edouard Malingue Gallery, Hong Kong.

Cui Xinming’s “Differentation”

Installation view of LIANG BAN’s “Diary of a Pioneer” at de Sarthe Gallery, Hong Kong, 2018. Courtesy de Sarthe Gallery.

Liang Ban’s “Diary of a Pioneer”

MINJUNG KIM, Raggi, 2005, mixed media on hanji paper, 214 x 150 cm. Courtesy the artist and White Cube Mason's Yard, London.

Minjung Kim’s “The Memory of Process”

ZARINA HASHMI, Silent Night, 2017, collage with found paper on Indian handmade paper, mounted on Somerset white papare, 48 x 38 cm. Courtesy the artist and Gallery Espace, New Delh

Zarina Hashmi’s “Weaving Darkness and Silence”

Installation view of ANOLI PERERA’s “The City, Janus-faced” at Shrine Empire, New Delhi, 2018. Courtesy Shrine Empire.

Anoli Perera’s “The City, Janus-Faced”

Installation view of LALA RUKH's Hieroglyphics (2008, left), VIDYA SAGAR's Untitled (1992–93, center) and works from FRANCESCO CLEMENTE's

“Everything We Do is Music.”

Installation view of *GAVIN HIPKINS*'s

Gavin Hipkins’s “The Domain”

Installation view of

“So Far So Right: A Study of Reforms and Transitions”

Installation view of

“Against the Light: Sampling in Two Cities”

Installation view of

Boaz Vaadia’s “Boaz Vaadia | 1951–2017”

Installation view of LUKE HENG's

Luke Heng’s “After Asphodel”

Installation view of *TIMO NASSERI*'s

Timo Nasseri’s “All the Letters in All the Stars”