Shows

Installation view of C. SPENCER YEH's

C. Spencer Yeh’s “Shocking Asia”

Installation view of *LEE BUL*'s

Lee Bul’s “After Bruno Taut”

*MICHAEL STEVENSON*, _Serene Velocity in Practice: MC510/CS183_, 2017, mixed media, dimensions variable, commissioned by the Auckland Art Gallery Toi o Tāmaki, with commissioning p

“Serene Velocity in Practice: MC510/CS183”

Installation view of

“Datumsoria: The Return of the Real”

ZARINA HASHMI, Cities I Called Home, 2010, portfolio of five woodcut prints and text on handmade Nepalese paper, 66 x 51 cm each. Courtesy the artist.

Zarina Hashmi’s “Dark Roads”

Installation view of

“The Other Face of the Moon”

Installation view of THE PROPELLER GROUP's survey exhibition at the San Jose Museum of Art, 2017. Photo by JKA Photography. Courtesy San Jose Museum of Art.

“The Propeller Group”

JEWYO RHII, detail of Drawing Table –Outside the Comfort Zone, Day 3–, 2016, aluminum, stainless steel, spray paint, fabric and paper, 90 × 290 × 220 cm. Courtesy Amanda Wilkinson

Jewyo Rhii’s “The Day 3, Walls and Barbed”

*FÜREYA KORAL* in front of her ceramic wall panel in the Istanbul Textile Traders Market in 1966. Photo by Ara Güler. Courtesy Karşılaşmalar, Istanbul.

Füreya Koral’s “Füreya”

*ARAYA RASDJARMREARNSOOK*, _Betweenness_, from the compilation _I Was Just Told That My Work is More or Less Too Sad for Christmas_, 2017, still from single-channel video: 22 min.

Araya Rasdjarmrearnsook’s “An Artist is Trying to Return to ‘Being a Writer’”

*CHRISTIAN BOLTANSKI*, _Dispersion_, 1991-2017, used clothing and bags, dimensions variable. Photo by Agostino Osio. Courtesy the artist and Pirelli HangarBicocca, Milan.

“Take Me (I’m Yours)”

Installation view of AFRUZ AMIGHI's

Afruz Amighi’s “Echo’s Chamber”

Installation view of works by KENZI SHIOKAVA at

Transpacific Borderlands: The Art of Japanese Diaspora in Lima, Los Angeles, Mexico City and São Paulo

PASCAL HACHEM, Left Under, 2017, wooden brushes, metal structures, step motor and electrical board. Photograph by Andy Stagg. Courtesy The Mosaic Rooms, London.

Pascal Hachem’s “The Show Has a Long Title That I Don’t Recall Anymore”