Shows

Installation view of GaHee Park's

GaHee Park’s “Every Day Was Yesterday”

Installation view of

On Struggling to Remain Present When You Want to Disappear

Installation view of JITISH KALLAT's (background) <i>Sightings</i> and (foreground) <i>Covariance (Sacred Geometry)</i>, both 2017–18, at

Jitish Kallat's “Decimal Point”

Installation view of

“How Little You Know About Me”

Installation view of *PACITA ABAD*'s

Pacita Abad's “A Million Things To Say”

FANG LIJUN, <i>2011–2012</i> (above), 2012, oil on canvas, 360 x 250 cm and <i>2006</i> (below), 2006, copper, gold foil, steel bar, iron plate, 840 x 560 x 32 cm. Courtesy Shenzhe

Shenzhen Biennale: Open Source

MEI LANFANG, Mei Lanfang in Soviet Union filming a scene of

“The Szechwan Tale. China, Theatre and History”

Installation view of *TAREK ATOUI*'s

Tarek Atoui’s “The Ground: From the Land to the Sea”

Installation view of AN GEE CHAN's

An Gee Chan’s “Go On Without Me”

Installation view of LATIF AL-ANI's

Latif al-Ani’s “Through the Lens 1953–1979”

Installation view of *TIMUR SI-QIN*'s _<i>Campaign for a New Protocol, Part III_</i>, 2018, mixed-media installation, dimensions variable, at “Campaign for a New Protocol, Part III

Timur Si-Qin’s “Campaign for a New Protocol, Part III: New Peace”

View of the hilltop city of Mardin and the former German Military Headquarters used as one of the venues for Mardin Biennial 4. All images by HG Masters for ArtAsiaPacific.

Mardin Biennial 4: Beyond Words

Installation view of JES FAN's

Jes Fan’s “Mother is a Woman”

Multimedia installation featuring Big Bird singing

“Sheer Fantasy”