Shows

Installation view of

“(Re)collect: The Making of Our Art Collection”

Installation view of *XU ZHEN*’s _Alien 1_, 2017–18, metal, mineral-based composite, stainless steel, acrylic paint, plastic, fabric, stone, 28 pieces, in 2 parts, each 705 × 2,070

Xu Zhen’s “Alien”

Installation view of *NARGESS HASHEMI*’s “I Will Build a Tall City Interconnected by Cul-de-Sacs,” at Gallery Isabelle van den Eynde, Dubai, 2018. All images courtesy the artist an

Nargess Hashemi’s “I Will Build a Tall City Interconnected by Cul-de-sacs”

Signage for the first Yeditepe Biennial, titled

Yeditepe Biennial: Istanbul’s Islamic Arts Festival

Installation view of *GOLNAZ FATHI*’s “A Long Line Without a Word,” Pearl Lam Galleries, Shanghai, 2018. All images courtesy the artist and Pearl Lam Galleries, Hong Kong / Shangha

Golnaz Fathi “A Long Line Without a Word”

Installation view of *MAK YING TUNG 2*’s “The Anything Machine,” at de Sarthe Gallery, Beijing, 2018. All images courtesy the artist and de Sarthe Gallery, Beijing / Hong Kong.

Mak Ying Tung 2’s “The Anything Machine”

Installation view of *JHEON SOOCHEON*’s _New Wolincheonganggigok_, 2018, stainless steel supermirror comprising 1,000 individual pieces, 310 x 120 cm, at “Space of Contemplation,”

Jheon Soocheon’s “Space of Contemplation”

Installation view of “Dismantling the Scaffold” at Tai Kwun Contemporary, Hong Kong, 2018. All images courtesy the artists and Tai Kwun Contemporary unless otherwise stated.

“Dismantling the Scaffold”

*JEHABDULLOH JEHSORHOH*, _The Way of Life of Malay Locals in the Three Southernmost Provinces of Thailand_, 2005, tempera painting on handmade Saa paper, 200 x 138 cm. All images c

“Patani Semasa”

Installation view of *ZHENG ZHOU*’s “2014” at Edouard Malingue Gallery, Hong Kong, 2018. All images courtesy the artist and Edouard Malingue Gallery, Hong Kong / Shanghai.

Zheng Zhou’s “2014”

*ABDUL ABDULLAH* <i>_Journey to the West_</i>, 2017, digital print, 130 x 75 cm. Courtesy the artist and Lisa Fehily Contemporary Art, Melbourne.

“Khalas”

Installation view of *LU XINJIAN*’s “Boogie Woogie” at de Sarthe Gallery, Hong Kong, 2018. All images courtesy the artist and de Sarthe Gallery, Hong Kong / Beijing.

Lu Xinjian’s “Boogie Woogie”

Installation view of CATHERINE OPIE’s “So Long As They Are Wild” at Lehmann Maupin, Hong Kong, 2018. Photo Kitmin Lee. All images courtesy the artist and Lehmann Maupin, New York /

Catherine Opie’s “So Long As They Are Wild”

Installation view of CHIM↑POM’s archival installation <i>道 [Street]</i>, 2017, mixed media, dimensions variable, at “Why Open?” White Rainbow, London, 2018. Photo Damian Griffiths.

Chim↑Pom’s “Why Open?”