Shows

*TUAN ANDREW NGUYEN*, _My Ailing Beliefs Can Cure Your Wretched Desires_ (still), 2017, two-channel video installation, 1080p, color, sound: 18 min 51 sec. All images courtesy the

Tuan Andrew Nguyen’s “My Ailing Beliefs Can Cure Your Wretched Desires”

Installation view of *KO SIN TUNG*’s _The Screen Conversation_, 2018, single-channel color video with wallpaper, dimensions variable, at “Beckoning the Mutation,” Club Pro Los Ange

“Beckoning the Mutation”

Installation view of *JASON PHU* and *JOHN YOUNG ZERUNGE*’s “The Burrangong Affray” at 4A Centre for Contemporary Asian Art, Sydney, 2018. Photo by Document Photography. All images

Jason Phu and John Young Zerunge’s “The Burrangong Affray”

Installation view of *LI WENGUANG*’s “Palingraphia” at Hive Center for Contemporary Art, Shenzhen, 2018. All images courtesy Hive Center for Contemporary Art.

Li Wenguang’s “Palingraphia”

Installation view of “Pale Sentinels” at Aicon Gallery, New York, 2018. All images courtesy Aicon Gallery, New York.

“Pale Sentinels: Metaphors for Dialogues”

Installation view of

“(Re)collect: The Making of Our Art Collection”

Installation view of *XU ZHEN*’s _Alien 1_, 2017–18, metal, mineral-based composite, stainless steel, acrylic paint, plastic, fabric, stone, 28 pieces, in 2 parts, each 705 × 2,070

Xu Zhen’s “Alien”

Installation view of *NARGESS HASHEMI*’s “I Will Build a Tall City Interconnected by Cul-de-Sacs,” at Gallery Isabelle van den Eynde, Dubai, 2018. All images courtesy the artist an

Nargess Hashemi’s “I Will Build a Tall City Interconnected by Cul-de-sacs”

Signage for the first Yeditepe Biennial, titled

Yeditepe Biennial: Istanbul’s Islamic Arts Festival

Installation view of *GOLNAZ FATHI*’s “A Long Line Without a Word,” Pearl Lam Galleries, Shanghai, 2018. All images courtesy the artist and Pearl Lam Galleries, Hong Kong / Shangha

Golnaz Fathi “A Long Line Without a Word”

Installation view of *MAK YING TUNG 2*’s “The Anything Machine,” at de Sarthe Gallery, Beijing, 2018. All images courtesy the artist and de Sarthe Gallery, Beijing / Hong Kong.

Mak Ying Tung 2’s “The Anything Machine”

Installation view of *JHEON SOOCHEON*’s _New Wolincheonganggigok_, 2018, stainless steel supermirror comprising 1,000 individual pieces, 310 x 120 cm, at “Space of Contemplation,”

Jheon Soocheon’s “Space of Contemplation”

Installation view of “Dismantling the Scaffold” at Tai Kwun Contemporary, Hong Kong, 2018. All images courtesy the artists and Tai Kwun Contemporary unless otherwise stated.

“Dismantling the Scaffold”

*JEHABDULLOH JEHSORHOH*, _The Way of Life of Malay Locals in the Three Southernmost Provinces of Thailand_, 2005, tempera painting on handmade Saa paper, 200 x 138 cm. All images c

“Patani Semasa”