Shows

Installation view of VAJIKO CHACHKHIANI's Flies Bite, It’s Going To Rain, 2019, mixed media, dimensions variable, at

Vajiko Chachkhiani’s “Flies Bite, It’s Going to Rain”

Installation view of *BANU CENNETOǦLU*'s 1 January 1970 – 21 March 2018 · H O W B E I T · Guilty feet have got no rhythm · Keçiboynuzu · AS IS · MurMur · I measure every grief I m

Banu Cennetoğlu at Sculpture Center

Installation view of

Remembering Black-British Artists in “Speech Acts: Reflection-Imagination-Repetition”

Installation view of *JOMPET KUSWIDANANTO*'s

Jompet Kuswidananto’s “On Paradise”

Installation view of NICK CAVE's

Nick Cave’ Until

Installation view of <b>RYOICHI KUROKAWA</b>'s ad/ab Atom, 2017, audiovisual installation, seven-channel HD display, four-channel sound: 8 min (loop), at GNRation, Braga, 2017–18.

Ryoichi Kurokawa’ Al-Jabr (Algebra)

Installation view of <b>RUTH ASAWA</b>'s

Ruth Asawa’s Life’s Work

Installation view of *CHANG YOONG CHIA*'s

Chang Yoong Chia’s “Second Life”

Installation view of *HEIDI HOWARD*'s and *LIZ PHILLIPS*'s _Relative Fields in a Garden_, 2018, site-specific installation, acrylic paint, ceramic, bamboo, birch veneer, mirror fil

Queens International 2018: Volumes

The Women's Wealth (2018) project, co-curated with Sana Balai, was developed from a week-long workshop in Bougainville and highlights the art forms—woven mats, baskets and bags—cre

Atrophying Models: The 9th Asia Pacific Triennial of Contemporary Art

Installation view of NALINI MALANI's Mother India: Transactions in the Construction of Pain, 2005, five-channel video with color and sound: 5 mins, dimensions variable, at

“Fearless: Contemporary South Asian Art”

Installation view of YUN HYONG-KEUN‘s (left) _Burnt Umber & Ultramarine_, 1987, oil on linen, 210 × 292 cm, and (right) _Burnt Umber & Ultramarine Blue_, 1999, oil on linen, 182 x

Yun Hyong-Keun at MMCA Seoul

Installation view of NAVINE G. KHAN-DOSSOS's Scenes from a Pre-Crime (Performance for Security Guards), 2018, mural painting, dimensions variable, at

“The Universe Flickers” at SALT Beyoğlu

Installation view of *TAKESADA MATSUTANI*'s _Blown Up-15_, 2015, graphite pencil and acrylic on canvas and ball, 213 x 500 cm, at

Takesada Matsutani’s “Drop in Time”