Shows

Installation view of *GAURI GILL*'s

Gauri Gill’s “Traces”

Installation view of

“Eavesdropping” at the Ian Potter Museum of Art

Installation view of *TREVOR YEUNG*'s

Trevor Yeung’s “In-Between”

Installation view of

“Focus Kazakhstan: Bread and Roses”

Installation view of *HANK WILLIS THOMAS*'s

Hank Willis Thomas’ “My Life is Ours”

Installation view of *MR.*'s solo exhibition at Perrotin, Hong Kong, 2018. Photo Ringo Cheung. All images copyright the artist and Kaikai Kiki Company, Limited; courtesy Perrotin,

Mr.’s “People misunderstand me and the contents of my paintings . . .”

Installation view of *JAMES CLAR*'s

James Clar’s “The World Never Ends”

Installation view of YOO YOUNGKUK's

Yoo Youngkuk’s “Colors from Nature”

Production still of Emma Jackson in *ZANNY BEGG*'s _The Beehive_, 2018, digital video installation, color, stereo sound: duration variable. Photo Philippa Bateman. Courtesy Enigma

Zanny Begg’s “The Beehive”

Installation view of “Focus Kazakhstan: Post-Nomadic Mind” at the Wapping Hydraulic Power Station, London, 2018. Photo by Thierry Bal. Courtesy the Focus Kazakhstan project.

“Focus Kazakhstan: Post-Nomadic Mind”

Installation view of *MAGGIE LEE*'s (left to right) Bossa Nova Civic Cup, 2018, plastic cup, hair accessory, shelf, 16 x 12 x 10.5 cm; and _Galcher Lustwerk MV_, 2018, CRT monitor,

Maggie Lee’s “Music Videos”

Installation view of

“Tell Me a Story: Locality and Narrative”

Installation view of MUSQUIQUI CHIHYING's solo exhibtion at Ullens Center for Contemporary Art, Beijing, 2018. Courtesy Ullens Center for Contemporary Art.

Musquiqui Chihying at the Ullens Center for Contemporary Art

Installation view of QIU SHIHUA's Lake, 1994, oil on canvas, 92 x 151 cm, at

Qiu Shihua’s “Dawn Light”