Shows

Installation view of *TAKESADA MATSUTANI*'s _Blown Up-15_, 2015, graphite pencil and acrylic on canvas and ball, 213 x 500 cm, at

Takesada Matsutani’s “Drop in Time”

Installation view of *TAKASHI MURAKAMI*'s

“Takashi Murakami in Wonderland”

Installation view of *TIFFANY JAEYEON SHIN*'s

Tiffany Jaeyeon Shin’s “Universal Skin Salvation”

From the monorail going up to the Cheorwon Peace Observatory, a South Korean reservoir is visible in front of the DMZ with the mountains of North Korea in the distance. All photos

Real DMZ Project 2018: “Borders as Specters”

Installation view of *HANNAH BRONTË*'s _Futcha Ancient_, 2018, lightboxes, photographic prints, textiles, ink, shell, dimensions variable, at

“The Commute”

Installation view of *BEHJAT SADR*'s

Behjat Sadr’s “Dusted Waters”

Installation view of SU XIAOBAI's _Jing Yang_ (left), 2017, oil, lacquer, linen, emulsion and wood, 163 x 155 x 19 cm, and _Dappled Stars_ (right), 2018, oil, lacquer, linen, emuls

Su Xiaobai’s “And There’s Nothing I Can Do”

In the lobby of the Seoul Museum of Art were SANGDON KIM’s ship-like sculptures with handwritten sails, Without the Sea (2018). All photos by HG Masters for ArtAsiaPacific.

Seoul Mediacity Biennale 2018: “Good Life (eu zên)”

Installation view of KYZYL TRACTOR ART COLLECTIVE's

“Focus Kazakhstan - Thinking Collections: Telling Tales”

Installation view of

“Art for Education: Contemporary Artists from Pakistan”

Installation view of

“The Extra Extra Ordinary”

Installation view of

“Ways of Seeing”

Installation view of KESANG LAMDARK's

Kesang Lamdark’s “Knock, Knock”

Installation view of TSHERIN SHERPA's “I want…I have…I hope” at Rossi & Rossi, London, 2018. All images courtesy the artist and Rossi & Rossi, London/Hong Kong.

Tsherin Sherpa's “I want…I have…I hope”