Shows

Installation view of

“A Turning Moment: Urban Narratives in Chinese Contemporary Art, 1995–2019”

Installation view of “Modernisms: Iranian, Turkish, and Indian Highlights from NYU’s Abby Weed Grey Collection,” at Grey Art Gallery, New York University, 2019. Photo by Nicholas P

“Modernisms: Iranian, Turkish, and Indian Highlights from NYU’s Abby Weed Grey Collection”

Filling up the swimming pool of the former Uchisange Elementary School with a bubbling, unknown pink liquid was *PAMELA ROSENKRANZ*’s _Skin Pool (Oromom)_ (2019), a reiteration of

Highlights from Okayama Art Summit 2019

Installation view of

Expressive Ink: Paintings by Yang Yanping and Zeng Shanqing

Installation view of *LEE UFAN*'s _Relatum_ (formerly _Language_), 1971/2011, cushions and stones, variable dimensions, at Dia:Beacon, New York, 2019. All photos courtesy Dia Art F

Lee Ufan at Dia:Beacon

Installation view of TAKASHI MURAKAMI’s solo exhibition

Roundtable Review: “Murakami vs Murakami”

Installation view of *SEAN RAPSET*’s solo exhibition “New Molecules & Stem Cell Retinoid Screen,” at Empty Gallery, Hong Kong, 2019. All photos by Michael Yu; courtesy the artist a

Sean Raspet’s “New Molecules & Stem Cell Retinoid Screen”

Installation view of *DOREEN CHAN*'s

Doreen Chan: "Hard Cream"

Installation view of the Whitney Biennial 2019, Whitney Museum of American Art, New York, 2019. Photograph by Ron Amstutz. Courtesy Whitney Museum of American Art.

Whitney Biennial 2019

Installation view of THUKRAL AND TAGRA's

Bread, Circuses & TBD

*PUSHPAMALA N*, _Sunhere Sapne (Golden Dreams)_, 1998, hand-tinted black and white photograph, 22 x 17 cm. Courtesy the artist and Shumita and Arani Bose Collection, New York.

Moving Still: Performative Photography in India

Installation view of *SEVIM SANCAKTAR*'s (left to right) Eyelids, two friends two foes 3, 9 and 11, all 2018–19, archival pigment print, photographic arrangement, 145 x 204 cm, at

Eyelids, two friends two foes

Installation view of SAHAND HESAMIYAN's Forough, 2016, stainless steel, gold leaf, electrostatic coating, each of two parts: 290 x 248 x 248 cm, at the Conservatorio di Musica Bene

58th Venice Biennale Part 6: Exhibitions Around Venice

Installation view of *MF HUSAIN*'s

MF Husain’s “Horses of the Sun”