Shows

Installation view of THUKRAL AND TAGRA's

Bread, Circuses & TBD

*PUSHPAMALA N*, _Sunhere Sapne (Golden Dreams)_, 1998, hand-tinted black and white photograph, 22 x 17 cm. Courtesy the artist and Shumita and Arani Bose Collection, New York.

Moving Still: Performative Photography in India

Installation view of *SEVIM SANCAKTAR*'s (left to right) Eyelids, two friends two foes 3, 9 and 11, all 2018–19, archival pigment print, photographic arrangement, 145 x 204 cm, at

Eyelids, two friends two foes

Installation view of SAHAND HESAMIYAN's Forough, 2016, stainless steel, gold leaf, electrostatic coating, each of two parts: 290 x 248 x 248 cm, at the Conservatorio di Musica Bene

58th Venice Biennale Part 6: Exhibitions Around Venice

Installation view of *MF HUSAIN*'s

MF Husain’s “Horses of the Sun”

Installation view of

Being Japanese Canadian: Reflections on a Broken World

Installation view of “52 Artists 52 Actions,” at Artspace, Sydney, 2019. Courtesy Artspace.

52 Artists 52 Actions

Installation view of

Stomping Ground

Exterior view of the Pakistan Pavilion at the 58th Venice Biennale, 2019. Courtesy La Biennale di Venezia.

58th Venice Biennale, Part 5: National Pavilions and Collateral Exhibitions Beyond the Arsenale and Giardini

Installation view of

Quasi Nature: Bio Art, Borderline and Laboratory

Installation view of

No Patience for Monuments

View of the Arsenale in Venice. All photos by HG Masters for ArtAsiaPacific unless otherwise stated.

58th Venice Biennale, Part 4: National Pavilions in Sale D’Armi

Installation view of

Roundtable Review: “An Opera For Animals”

Installation view of *YASUMASA MORIMURA*'s Portrait (Shonen 1, 2, 3), 1988, C-prints, transparent medium, 210 × 120 cm each, at

“Weavers of Worlds – A Century of Flux in Japanese Modern / Contemporary Art”