Shows

Installation view of “gesture, form, technique V,” at Taro Nasu, Tokyo, 2020. Photo by Kei Okano. Courtesy Taro Nasu.

What’s Up in Tokyo: October–November 2020

Installation view of *SHIRLEY TSE*'s

Roundtable Review: Shirley Tse’s “Stakes and Holders”

Detailed installation view of *MIT JAI INN*’s _People’s Wall_, 2019, 60 sprayed canvases, 4 x 1.5 m each, dimensions variable, at “Art on Farm,” Jim Thompson Farm, Nakhon Ratchasim

Mit Jai Inn, Pinaree Sanpitak, and Savinee Buranasilapin at “Art on Farm”

Installation view of *a’strict*’s _Starry Beach_, 2020, multi-channel projected installation with sound, dimensions variable, at Kukje Gallery, Seoul, 2020. Courtesy Kukje Gallery,

What’s Up in Seoul: September–October 2020

*ZHANG ZIPIAO*, _Skeleton 01_, 2020, oil on canvas, 172 x 140 cm. Courtesy the artist and White Space Beijing.

What’s Up in Beijing: September–October 2020

Detailed installation view of TSUYOSHI HISAKADO’s _A polite existence_, 2020, paper, clock, brass, wood, mechanical pencil lead, battery, chestnut, acrylic and others, dimensions v

Tsuyoshi Hisakado: Sculptural Exercises in “Practice of Spiral”

Detailed installation view of *CHRISTOPHER K. HO*’s _Always Stop Eating While You’re Still a Little Hungry_, 2020, brass, magic eyes, 3D print, window decal, steel, wood, audio, 21

Specters of History at “Next Act: Contemporary Art from Hong Kong”

Installation view of *MARK RYDEN*’s God Yak (#138), 2019, oil on canvas on artist’s frame, 137.2 × 127 × 6.7 cm, at “Anima Animals,” Perrotin, Shanghai, 2020. Image via artist’s In

What’s Up in Shanghai: August–September 2020

Tapestries, Canvases, Physical, Digital: Silverlens Opens Hybrid Exhibitions for August

Tapestries, Canvases, Physical, Digital: Silverlens Opens Hybrid Exhibitions for August

*YUKIHISA ISOBE*, _Work 65-3 & 4_, 1965, mixed media, 167.5 x 172.5 x 9.5 cm each. Courtesy the artist and Whitestone Gallery, Tokyo / Taipei / Hong Kong.

What’s Up in Taipei: August 2020

Installation view of *DANIEL ARSHAM* and *POKÉMON*’s “Relics of Kanto Through Time,” at Nanzuka, Tokyo, 2020. Copyright the artist and Pokémon. Registered trademark Nintendo. Court

Archaeological Futures in Daniel Arsham’s “Relics of Kanto Through Time”

Promotional image of “M+ Online Hackathon: City of Objects.” Image via M+’s Facebook.

Coronaviewing, Part 5: The Show Must Go On

Installation view of

Cherishing togetherness in “be/longing”

Installation view of *NICOLE WONG*’s “After Nothing Happens,” at Rossi & Rossi, Hong Kong, 2020. All images courtesy the artist and Rossi & Rossi, Hong Kong / London.

Reconsidering Failure: Nicole Wong’s “After Nothing Happens”