Shows

Installation view of <b>TREVOR YEUNG</b>'s (from left to right) <i>Rock Sitters (The World is Burning)</i>, 2019, etching on archival inkjet print, 60 x 90 cm; <i>Mr. butterflies a

Debunking the Hocus-Pocus with the “Anonymous Society for Magick”

Installation view of *HU XIAOYUAN*'s _Spheres of Doubt_, 2019, steel bar, marble, wood, raw silk, wooden stick, sea water-eroded limestone, glass cup, body soap, cast-iron scale, b

Comparing Silk, Bamboo, and Video at the Sigg Prize Exhibition

*DING LI*, _Young Woman 9_, 2019, oil on canvas, 80 x 60 cm. Courtesy the artist and MadeIn Gallery, Shanghai.

What’s Up in Shanghai: May 2020

Installation view of *CHOW CHUN FAI*’s (from left to right) _Central_, _Arrest II_, and _Shopping Mall_, all 2020, oil on canvas, 22 x 18 cm, at “Portraits from Behind,” Gallery Ex

A City’s Surreal Reality in Chow Chun Fai’s “Portraits from Behind”

Installation view of *HWAYEON NAM*'s _Larger than Life_, 2019–20, four-channel video installation: 25 min 47 sec, at Art Sonje Center, Seoul, 2020. Courtesy Art Sonje Center.

What’s Up in Seoul: April–May 2020

Installation view of *ANDREW LUK*’s _Haunted, Salvaged_, 2020, polystyrene, cement, concrete, stainless steel, expanding spray foam, PU plastic, sea glass, 370 x 860 x 496 cm, at “

What’s Up in Hong Kong: South Side Art Day, April 2020

Screenshot of *MARAT DILMAN*’s _Untitled_, 2018, object, in “Cybernomadism,” iata-art.org. Image by Peter Chung for _ArtAsiaPacific_.

“Cybernomadism”: Re-envisioning Futurity in Central Asia

*HAO JINGBAN*, _Opus One_, 2019, still from dual-channel video installation: 32 min 42 sec. Produced by the Han Nefkens Foundation. Copyright the artist. All images courtesy Matade

Bodily Archives in Hao Jingban’s “Opus One”

Installation view of *LO LAI LAI*’s _Slow-so TV III: Give no words but mum_, 2020, three-channel interactive video installation, dimensions variable: 6 min 19 sec, at “Give no word

Communing with Nature in Lo Lai Lai’s “Give no words but mum”

*PIXY LIAO*, _The Hug by the Pond_, 2010, photograph, 75 x 100 cm. All images courtesy the artists.

Pixy Liao’s Radical Intimacy: “Experimental Relationship (for your eyes only, or maybe mine, too)”

Installation view of “Monet, Perception of Light and Colour,” at Metropolis Museum, Hong Kong, 2020. All images courtesy Metropolis Museum.

Metropolitan Folly: The Editors Weigh In On A Display of Reproduced Monets

Installation view of *SANCINTYA MOHINI SIMPSON*’s _Kortri_, 2020, corrugated iron structure, wooden bench, soil, scent, dimensions variable; and _Plantation_, 2020, single-channel

An Archive Materialized: Sancintya Mohini Simpson’s “Kūlī nām dharāyā / they’ve given you the name ‘coolie’”

Installation view of *LUCIE CHAN*'s _To Be Free, Everything You Most Hate and Fear_, 2018–19, videos, drawings, sound, organic matter, prints, photographs, and found objects, dimen

Racist Candy: Lucie Chan’s “To Be Free, Everything You Most Hate and Fear”

Installation view of *WAEL SHAWKY*'s _Cabaret Crusades: Wall #5_, 2019, mixed media, dimensions variable, at

“Gohyang: Home” and the Non-Western Gaze