Shows

*ZHONG WEI*, _A Wednesday_, 2021, acrylic on canvas, 175 x 245 cm. Courtesy the artist and de Sarthe, Hong Kong.

What’s Showing at Hong Kong Art Week, May 2021: South Side

Installation view of *MICHELE CHU*’s _Solace_, 2021, wood, PVC pipes, metal, fabric, foam, dimensions variable, at “We Are Our Own Demons,” Negative Space, Hong Kong, 2021. Photo b

“We Are Our Own Demons”: Emerging Artists on Identity, Memory, and Body

Installation view of *GORDON HOOKEY*'s _WAM / Ethics_, 2021, fabric, paint, wood dowels, witches hats, castors, dimensions variable, at

proppaNOW: “OCCURENT AFFAIR”

<b>SAB D'SOUZA</b>, <i>Garburator</i>, 2021, still from video: 6 min 30 sec. All images courtesy Cement Fondu, Sydney.

Rewriting the “Textbook for Desire”

*HANGAMA AMIRI*, _Gulzar, Beauty Salon_, 2021, chiffon, muslin, cotton, polyester, velvet, silk, faux leather, inkjet print on chiffon, suede, iridescent paper, found fabric, 279.4

Hangama Amiri’s “Wandering Amidst the Colors”

Installation view of *NOE AOKI*’s _All that Floats Down_, 2019, iron, glass, 5.8 x 13.7 x 15 m, at “All that Floats Down,

What's Up in Tokyo: April–May 2021

Installation view of <b>BROOK HSU</b>'s

Blue in Green: Brook Hsu at Manual Arts

Detailed installation view of *ZARINA MUHAMMAD*’s _Talismans for Peculiar Habitats_, 2019, batik, unbleached cotton shroud, wax, sandalwood chips, straw, agarwood, incense, clay, p

“-Between- -the- Living -and- -the- Archive” at Gillman Barracks

Installation view of *KATSUHIRO YAMAGUCHI*’s _Las Menias_, 1974–75, CCTV video installation (six CRT monitors, one video camera, and two print reproductions), live feed transmissio

“Refocusing on the Medium: The Rise of East Asia Video Art” at OCAT Shanghai

*AKI INOMATA*, from the series _Memory of Currency_, 2018– , photography, video, sculpture, dimensions variable. All images copyright the artist; courtesy Maho Kubota Gallery, Toky

Maho Kubota Gallery presents Aki Inomata’s “Memory of Currency”

Installation view of *ANGELO PLESSAS*'s _The Noospheric Society_, 2021, multimedia installation, dimensions variable, at the 13th Gwangju Biennale, 2021. All photos by Andy St. Lou

Highlights from the 13th Gwangju Biennale: “Minds Rising, Spirits Tuning”

<b>MIKA ROTTENBERG</b>, <i>NoNoseKnows</i>, 2015, still from single-channel video installation with sound and color: 21 min 58 sec. Copyright the artist. Courtesy Mike and Kaitlyn

Roundtable Review: Mika Rottenberg’s “Sneeze”

Installation view of *YEUNG TONG LUNG*'s (from left to right) _Sai Wan Estate No.2_, 2016, oil on canvas, diptych, 153 x 391 x 3.5 cm; and _Tong Shui Road Tram Terminus_, 2016, oil

Yeung Tong Lung: “Daily Practice”

*CHAN BEE*, _Untitled_, 2020, Chinese ink, graphite, and technical pen on paper, 36.6 x 43.5 cm. All images courtesy Present Projects, Hong Kong.

Chan Bee & Chan Ho Lok’s “Surviving Natality”