Shows

*MARK WHALEN*, _hear no, see no, say no_, 2021, polyurethane, airbrush, and mirror chrome on cast aluminum, 35.1 x 44.2 x 54.1 cm. Courtesy the artist.

Over the Influence & CAC Málaga present Mark Whalen’s “I Am Just Here”

Installation view of *ABBAS AKHAVAN*’s _curtain call, variations on a folly_, 2021, barley straw, subsoil, lightweight leica, sharp sand, puddle clay, wood, chromakey green 1080 pa

Abbas Akhavan: “curtain call, variations on a folly”

Installation view of <b>LEE BAE</b>'s solo exhibition

Dimensions of Black: Lee Bae’s “Paradigm of Charcoal”

Installation view of <b>CHANG HANNA</b>’s <i>New Ecosystem</i>, 2021, installation with collected plastic pieces, fish tanks, bubble generator, lights, and sand, dimensions variabl

Reclamation, New Rocks, Stray Dogs, Birds, And Acoustics Of The Garden

Installation view of (from left to right) *OCEAN LEUNG*’s _Sunrise after party_, 2020, spray paint and crews on wood, burnt aluminum cans mounted on iron, 100 x 120 cm; _Waiting wi

Reignited by “Residual Heat”

Installation view of CINDY JI HYE KIM’s (left to right) Double-Tongued Citadel (detail), 2020, graphite, pastel, acrylic on wall, 988.06 × 314.96 cm; The Body Sins Once, 2020, carv

Cindy Ji Hye Kim at MIT List Visual Arts Center

ATSUSHI KAGA, Moving forward like a snail, 2021, acrylic on canvas, 162 x 130 cm. All images courtesy Maho Kubota Gallery, Tokyo.

Maho Kubota Presents Atsushi Kaga’s “It always comes: a solace in the cat”

Installation view of *JEON BYEONG SAM*’s “Fold & Unfold,” at The Columns Gallery, Singapore, 2021. All images courtesy The Columns Gallery.

“Fold & Unfold” the Universe with Jeon Byeong Sam

Installation view of *TRENT CRAWFORD* and *STANTON CORNISH-WARD*'s _LOCK_, 2021, three-channel video installation, sound, tempered glass, aluminum, at Discordia, Melbourne, 2021. A

The Empty Promise of Salvation: Trent Crawford and Stanton Cornish-Ward’s “LOCK”

*GERALDINE JAVIER*, _Gertrude Jekyll (The Earth was Her Canvas II)_, 2020, acrylic on canvas, 182.9 x 198.1 cm. All images courtesy Artinformal Gallery, Manila.

Healing Nature: Geraldine Javier’s “Five Gardens”

Do Ho Suh: Works on Paper at STPI, 2021. All images courtesy STPI – Creative Workshop & Gallery, Singapore.

Do Ho Suh: Works on Paper at STPI

Installation view of “Metal, Wood, Water, Fire, and Earth,” at Pace Gallery, Palo Alto, 2021. Courtesy Pace Gallery, London / Palo Alto / Seoul / Hong Kong / Geneva / New York / Ea

“Metal, Wood, Water, Fire, and Earth”

Installation view of *CFGNY*’s _Collecting Dissonance_, 2021, mixed media, dimensions variable, at Auto Italia, London, 2021. Photo by Henry Mills. Courtesy the artists and Auto It

“Collecting Dissonance” at Auto Italia

*AYA TAKANO*, _april, dragon dance, look, there are mysterious clouds_, 2021, oil on canvas, 80 x 100 cm. Copyright 2021 Aya Takano/Kaikai Kiki Co., Ltd. All Rights Reserved. All i

A Colorful Captivity: Aya Takano’s “Beginning, Liminal, Ego”