Shows

Installation view of *ZHENG MAHLER*’s _Bubalus bubalis 16–40,000Hz_, 2021, audio, sculpture, Chladni plate, video, book, dimensions variable, at “Liquid Ground,” Para Site, Hong Ko

Absorbing “Liquid Ground”

W Art Foundation Stages an Exhibition on Contemporary Asian and African Art

W Art Foundation Stages an Exhibition on Contemporary Asian and African Art

Illustration by AMY FAN based on her experience of Tino Sehgal's This Variation (2012).

Three Takes on Tino Sehgal

*TODD JAMES*, _The Party Never Ends_, 2021, acrylic on canvas, 152.4 x 213.4 cm. All images courtesy the artist and Over the Influence Bangkok.

Over the Influence Bangkok Opens with Todd James’ Debut Thailand Exhibition “Clean Jellybean”

Korean Cultural Center & Art Chosun Present Lee Ung-no & Ha In-doo in “滲: Pervade”

Korean Cultural Center & Art Chosun Present Lee Ung-no & Ha In-doo in “滲: Pervade”

Installation view of SHAHZIA SIKANDER’s “Infinite Woman,” at Pilar Corrias, 2021. All images courtesy the artist and Pilar Corrias, London.

God is a Woman in Shahzia Sikander’s “Infinite Woman”

Installation view of “With You Here Between: Defamiliarizations,” at Objectifs, Singapore, 2021. All images courtesy the artists and Objectifs.

In the Off-frame Spaces of “With You Here Between: Defamiliarizations”

ENTANG WIHARSO, Unburied Memory, 2021, glitter and acrylic on canvas, 180.3 x 699 cm. All photos by Ashley Moog Bowlsbey. All images courtesy the artist and York C

Entang Wiharso’s “A Thousand Kilometers”

Exterior view of Hong Kong's M+ museum. All photos by Peter Chung for ArtAsiaPacific.

A Short Guide to M+’s Opening Displays

*GARY SIMMONS*, _RGB_, 2021, UltraChrom posters, glue, and varnish on wood, 243.8 x 365.8 x 15.2 cm. Copyright the artist. Photo by JJYPHOTO. Courtesy the artist and Hauser & Wirth

What’s Up in Shanghai: November 2021

Installation view of FERNANDO GARCÍA-DORY’s INLAND, Recovery-regress system - 6 Hectares, 2021, printing on adhesive paper and blown glass ampoules, dimensions variable, at “Sustai

“Sustaining Assembly: Artistic Practices for a Grassroots Ecological Transition”

Installation view of *YOICHI UMETSU*’s _Floreal - Huge pollen intermingled with dirty light_, 2012–14, oil on panel, mixed media, 111.7 x 191.2 cm, at “Pollinator,” Watari-um, Toky

What’s Showing at Art Week Tokyo

CHING HO CHENG, Chemical Garden, 1970, gouache and ink on rag board, 76.2 x 76.2 cm. All images courtesy the Estate of Ching Ho Cheng and David Zwirner, New York.

“More Life: Ching Ho Cheng”

Installation view of *CHEN WEI*’s (front) _Brilliantly Lit Lights / H.K._, 2021, LED light, metal framing, 147 x 125 x 143 cm; and (back) _Goblets After Dancing_, 2009, archival in

The Disquiet of Chen Wei’s “The Last Night”