Shows

*GARY SIMMONS*, _RGB_, 2021, UltraChrom posters, glue, and varnish on wood, 243.8 x 365.8 x 15.2 cm. Copyright the artist. Photo by JJYPHOTO. Courtesy the artist and Hauser & Wirth

What’s Up in Shanghai: November 2021

Installation view of FERNANDO GARCÍA-DORY’s INLAND, Recovery-regress system - 6 Hectares, 2021, printing on adhesive paper and blown glass ampoules, dimensions variable, at “Sustai

“Sustaining Assembly: Artistic Practices for a Grassroots Ecological Transition”

Installation view of *YOICHI UMETSU*’s _Floreal - Huge pollen intermingled with dirty light_, 2012–14, oil on panel, mixed media, 111.7 x 191.2 cm, at “Pollinator,” Watari-um, Toky

What’s Showing at Art Week Tokyo

CHING HO CHENG, Chemical Garden, 1970, gouache and ink on rag board, 76.2 x 76.2 cm. All images courtesy the Estate of Ching Ho Cheng and David Zwirner, New York.

“More Life: Ching Ho Cheng”

Installation view of *CHEN WEI*’s (front) _Brilliantly Lit Lights / H.K._, 2021, LED light, metal framing, 147 x 125 x 143 cm; and (back) _Goblets After Dancing_, 2009, archival in

The Disquiet of Chen Wei’s “The Last Night”

Installation view of

Roundtable Review: “Trust and Confusion”

Installation view of YOUNG JOON KWAK’s “Spartan Ruin,” at Commonwealth and Council, Los Angeles, 2021. All images courtesy the artist and Commonwealth and Council.

Young Joon Kwak’s “Spartan Ruin”

Detail of LUO JR-SHIN's Syncing sinks, 2019, sink, faucet, barrel, pump, pipe, fruit, and iodine solution, dimensions variable, at “Like a Urinal in a Nightclub,” Taipei Fine Arts

Luo Jr-Shin: “Like a Urinal in a Nightclub”

Installation view of “Danh Vo,” at Secession, Vienna, 2021. Photo by Nick Ash. All images courtesy the artist and Secession.

“Intertwined Histories”: Danh Vo

Installation view of ICE WONG's The Interweaving of You and I, 2021, sunflowers, air, water, sunlight, LED grow lights, plant pots, and wooden caddy with wheels, dimensions variabl

Who is Cyborg? Examining “Post-Human Narratives”

Installation view of *VERNON AH KEE*’s _Scratch the Surface_, 2020, riot shields, charcoal, 88 x 48 x cm each, at “Nothing important happened today,” Spring Hill Reservoir, Brisban

An edict to forget: Vernon Ah Kee’s “Nothing important happened today”

<b>MICHIKO ITATANI</b>, <i>Personal Codes</i> from <i>Cosmic Cube 2019-K-16</i>, 2019, gouache, ink, and Prismacolor on board, 20.3 x 20.3 cm. All images courtesy the artist and 4t

Michiko Itatani's “Personal Codes: Virtual Cube in the Kitchen”

HOLLY ZAUSNER, Second Breath, 2005, Super 16 mm film, digitized, with color and sound: 10 min 16 sec. Courtesy the artist and Loock Galerie, Berlin.

Unwrapping the Nature of “The Gift”

Installation view of

“The History of Women in Korean Photography I: Women’s Photography Movements in the 1980s”