Shows

Installation view of <b>XANTHE DOBBIE</b>'s <i>Cloud Copy</i>, 2020, Oculus VR headsets, chairs, MP4 video, color, sound, and VR aspect 360: 4 min 48 sec, at

The Dystopia of Digital Banality in “Don’t Be Evil”

Installation view of <b>CANDICE LIN</b>'s

“Seeping, Rotting, Resting, Weeping”: Finding Respite in Candice Lin’s Cat-Demon World

National Art Gallery of Malaysia Reopens Galleries with “NUSA”

National Art Gallery of Malaysia Reopens Galleries with “NUSA”

Installation view of <b>LAWRENCE ABU HAMDAN</b>'s <i>Once Removed</i>, 2019, digital video with color and sound: 29 min 11 sec, at

Lawrence Abu Hamdan’s “Dirty Evidence”

Detailed installation view of <b>FUSUN ONUR</b>'s <i>Opus II - Fantasia</i>, 2001/21, knitting needles, balls of gold braid, porcelain figurines, and plinths, at

Füsun Onur’s “Opus II – Fantasia”

Installation view of <b>LOUIS NIXON</b>'s<b> </b>

Louis Nixon’s “Dropped”

*CERITH WYN EVANS*, _Folds . . . in shade (also light and shade) 7 leaves_, 2020, bronze and glass, 202.2 x 509.6 x 79.1 cm. Photo by Ollie Hammick. All images copyright of and cou

White Cube Hong Kong Presents Cerith Wyn Evans’s “. . . .)(of, a clearing”

<b>DIANE SEVERIN NGUYEN</b>, <i>If Revolution is a Sickness</i>, 2021, still from 4k video with sound: 18 min 53 sec. All images courtesy the artist and Bureau, New York.

Diane Severin Nguyen’s “If Revolution is a Sickness”

Partial view of Hayy Jameel's inaugural facade commission, by Nasser Almulhim and Tamara Kalo. Courtesy Hayy Jameel, Jeddah.

First Look at Hayy Jameel

Installation view of NALINI MALANI's _Remembering Mad Meg_, 2007-19, four-channel video installation with sound, 16 light projections, eight reverse painted Mylar cylinders at

M+ Presents Nalini Malani’s “Vision in Motion”

*WINSOME WONG*, _I only got this to build a room for you and the window_, 2021, wrap, tape, dimensions variable. Photo by Iris Sham Sin Hang. All images courtesy the artists and A'

Aftereffects: A’fair 2021

Installation view of *ALFREDO* and *ISABEL AQUILIZAN*'s _Passage III: Project Another Country_, 2009, cardboard boxes, wood pallets, and photographs, dimensions variable, at

Reimagining a “Poetic Heritage”

Photo from *LYDIA OURAHMANE*'s House of Hope Archives. All images courtesy the artist and de Appel, Amsterdam.

Lydia Ourahmane’s “Survival in the Afterlife”

Detailed installation view of MIT JAI INN's _dreammantra_, 2021, oil on canvas, acrylic and glue on canvas, and metal, dimensions variable, at

Mit Jai Inn’s “Dreamworld”