Shows

Installation view of <b>HASSAN KHAN</b>'s <i>The Infinite Hip-Hop Song (wall version), </i>2019, music-generating algorithm: duration variable, at

Hassan Khan’s “Blind Ambition”

A sculpture by *TSHERIN SHERPA* being installed at the Nepal Pavilion, Tsherin Sherpa: Tales of Muted Spirits – Dispersed Threads – Twisted Shangri-La, at Sant’Anna Project Space O

Behind the Scenes in Venice: Tsherin Sherpa

Exterior view of Palazzo Manfrin. Phoyo by Luca Zanon. Courtesy Bolton & Quinn.

59th Venice Biennale: Collateral Exhibitions and Beyond

A concept image of *DUMB TYPE*'s presentation at the Japan Pavilion for the 59th Venice Biennale. Photo by Kazuo Fukunaga and Dumb Type. Copyright and courtesy the artists.

Previews: National Participations at the 59th Venice Biennale

<b>LAU HIU TUNG</b>, <i>Midnight Lov</i>e, 2022, acrylic on canvas, 36 x 46 cm. All images courtesy the artist and Flowers Gallery, Hong Kong.

Lau Hiu Tung’s “I am in training, don’t kiss me”

Installation view of <b>NAM JUNE PAIK</b>'s <i>One Candle (also known as Candle TV)</i>, 2004, Cathode ray tube television casing with additions in permanent oil marker, acrylic pa

Technologies for Peace: Nam June Paik in Asia

Portrait of <b>ISAMU NOGUCHI</b>, July 4, 1947. Photo by Arnold Newman. Copyright Arnold Newman Collection / Getty Images / INFGM / ARS - DACS.

Isamu Noguchi: Expanding Sculpture

<b>ATONG ATEM</b>, <i>Wundut, Mandut</i>, 2022, giclee print, 150 x 100 cm. All images courtesy the artist and Gertrude Contemporary, Melbourne.

Atong Atem’s “Everything in Remission”

Installation view of

Cerith Wyn Evans’s “. . . .)( of, a clearing”

Installation view of

“Chronicles of the Future Superheroes”

Installation view of

South Asia in Italy: “Classical Radical”

<b>ZHONG WEI</b>, <i>Safety Seat</i>, 2021, acrylic on canvas, 100 x 100 cm. All images courtesy the artist and Jack Bell Gallery, London.

Zhong Wei’s “Stress Response”

The entrance to

Crossing the River by “Feeling the Stones”

Detailed view of <b>YANG-EN HUME</b>'s <i>Her Shroud</i>, 2019, digital prints on organza and voile and embroidery thread, 90 x 80 cm, at

Undoing the “Threads of Time” at No 20 Arts