Shows

Installation view of <b>AN LAURENCE</b>'s <i>Come Closer, I'll tell you what I forgot</i>, 2022, audio recordings, LED lights, ink prints on rice paper, reclaimed boxes, covers, in

“How far can we see within?” at La Centrale galerie Powerhouse

Portrait of <b>VVZELA KOOK</b>. All images courtesy the Hong Kong Arts Development Council.

Hong Kong Arts Development Council Presents Vvzela Kook’s “Empty Space”

Photo documentation of <b>LU YANG</b>'s<i> DOKU - The Binary World</i> (2022), performance, duration variable, at Freespace, Hong Kong, 2022. All images courtesy West Kowloon Cultu

Lu Yang’s “DOKU – The Binary World”

<b>MARLON CARAIG MENDOZA</b> and <b>DIMENSION PLUS</b>'s <i>DJOK Station</i>, 2022, electric motorcycle, remixed soundtrack, DJ controller, LED installation, dimensions variable. A

Paving “The Way Forward”

<b>WONG WEI-HIM</b>, detail from the <i>Ferrytale </i>series, 2017-20, archival inkjet print, 33 x 50 cm and 91 x 137 cm. Courtesy the artist.

“Island(ed)” at WMA

Installation view of <b>AHMET OGUT</b>'s <i>Bakunin's Barricade</i>, 2022, scrap materials and artworks from the Allen Memorial Art Museum collection, dimensions variable, at Allen

FRONT International: “Oh, Gods of Dust and Rainbows”

Museum MACAN Presents the 4th VH AWARD Exhibition

Museum MACAN Presents the 4th VH AWARD Exhibition

Installation view of <b>BUNSHO HATTORI</b> and <b>RYUICHI ISHIKAWA</b>'s THE JOURNEY WITH A GUN, AND NO MONEY, 2022, survival mountain climbing, people, deer head bone, deer bucksk

Highlights from Aichi Triennale 2022

<b>INITIATIVE 19. FEBRUAR HANAU</b> and <b>FORENSIC ARCHITECTURE/FORENSIS</b>, left to right, <i>Racist Terror Attack in Hanau The Perpetrator's House</i>, 2022, video, 33 min, and

“Three Doors” at Frankfurter Kunstverein

Installation view of

“Post-Human Narratives: In the Name of Scientific Witchery”

<b>MIRE LEE</b>, <i>Horizontal Forms</i>, 2020, four different sculptures, mixed media, dimensions variable. Photo by Yeonje Kim. Courtesy the artist and Art Sonje Center.

Tina Kim Gallery Presents Mire Lee’s “Carriers”

Installation view of

“Elsewhere and nowhere else” and “The house is full”

<b>HAEGUE YANG</b> next to <i>Sonic Rescue Ropes</i>, 2021, nickel plated bells, stainless steel chains, split rings, 11.45 m. Photo: Dan Leung. Courtesy of M+, Hong Kong.

Haegue Yang’s “Sonic Rescue Ropes”

Installation view of

Pause, Rewind, “Play and Loop” at Blindspot Gallery