Shows

<b>WANG JIAJIA</b>, <i>Electro, Big Dreams and Palazzi</i>, 2023, 140 x 190 cm. Copyright the artist. Courtesy De Sarthe, Hong Kong.

What to See During Hong Kong’s Art Month: Southside

*WANG HAIYANG*, _Green Snake_, 2022, acrylic on canvas, 65 x 55 cm. Courtesy the artist and Gagosian, Hong Kong.<br>

Negotiating Reality in “Uncanny Valley”

Installation view of <b>ANDREW THOMAS HUANG</b>'s <i>Kiss of the Rabbit God</i>, 2019, video: 14 min 39 sec, and <i>Rabbit God, </i>2019, sculpture, dimensions, at

Reflections on Asian LGBTQ+ Art and Issues at “Myth Makers”

Installation view of

Revisiting the ’90s

Installation view of <b>RANA BEGUM</b>'s <i>No. 1228 Mesh</i> (2023) at Concrete, Dubai, 2023. Image via Instagram.<br>

Shows to See in Dubai, March 2023

Installation view of <b>AUGUSTINE PAREDES</b>'s <i>A Migrant Heart</i>, 2022, acrylic on photographic print, 67 x 96 cm, at

In search for a “PARADISE 4EVER”

Installation view of <b>CFGNY</b>'s <i>So c(fg) iet (n)y</i>, 2022, single-channel video: 11 min 55 sec, at

“Refashioning” at Japan Society: CFGNY and Wataru Tominaga

Installation view of <b>SIN WAI KIN</b>'s works at

“Fanatic Heart,” Approaching Fandom and Fan Culture: A Method in the Madness

Installation view of <b>YASUNAO TONE</b>'s <i>Device for Molecular Music</i>, 1982, machine, speakers, and light sensors, at

The Mixed Signals of Yasunao Tone

<b>CORINNE DE SAN JOSE</b>, <i>Every Girl I Know</i>, 2022, one of 100 cyanotypes, 20 x 15 cm. All images courtesy Silverlens, Manila / New York.

Reparative Rememberings: Corinne de San Jose Reincarnates a Lost Film

<b>ZHANG RUYI</b>, <i>The Desert Is Not Sad, Nor Is it Deserted</i>, 2022, mixed media, dimensions variable. Image via Facebook.

Shows to See in Late February, 2023

Portrait of <b>REUBEN KEEHAN</b> and <b>GENEVIEVE CHUA</b> in front of <i>Pathway #2, Steadfast</i>, 2022. Courtesy STPI - Creative Workshop & Gallery, Singapore.

Plane and Simple: Genevieve Chua in Conversation with Reuben Keehan

<b>LAWRENCE ABU HAMDAN'</b>s <i>45th Parallel</i>, 2022, still from video in loop: 15 min. Courtesy the artist.

The Deadly Absurdity of Borders: Lawrence Abu Hamdan’s “45th Parallel”

Installation view of

Striking Balance with Bharti Kher