Shows

<b>CORINNE DE SAN JOSE</b>, <i>Every Girl I Know</i>, 2022, one of 100 cyanotypes, 20 x 15 cm. All images courtesy Silverlens, Manila / New York.

Reparative Rememberings: Corinne de San Jose Reincarnates a Lost Film

<b>ZHANG RUYI</b>, <i>The Desert Is Not Sad, Nor Is it Deserted</i>, 2022, mixed media, dimensions variable. Image via Facebook.

Shows to See in Late February, 2023

Portrait of <b>REUBEN KEEHAN</b> and <b>GENEVIEVE CHUA</b> in front of <i>Pathway #2, Steadfast</i>, 2022. Courtesy STPI - Creative Workshop & Gallery, Singapore.

Plane and Simple: Genevieve Chua in Conversation with Reuben Keehan

<b>LAWRENCE ABU HAMDAN'</b>s <i>45th Parallel</i>, 2022, still from video in loop: 15 min. Courtesy the artist.

The Deadly Absurdity of Borders: Lawrence Abu Hamdan’s “45th Parallel”

Installation view of

Striking Balance with Bharti Kher

Installation view of <b>KYOKO IDETSU</b>'s <i>I want to wear a warm sweater.</i>, 2022, oil on canvas, 193.99 x 129.86 cm, at

“I want to wear a warm sweater.”

<b>RITHIKA MERCHANT</b>, <i>Transtidal</i>, 2022, gouache, watercolor and ink on paper. Courtesy the artist.

Shows to See in Early February, 2023

Installation view of

“Air” of Perplexities at Queensland Gallery of Modern Art

<b>ZADIE XA</b>, <i>Homecoming</i>, 2022, oil on canvas and machine-stitched linen, 240 x 260 cm. Photo by artifacts. Copyright the artist. Courtesy Thaddaeus Ropac, London / Paris

Shows to See in Late January, 2023

<b>KAWAYAN DE GUIA</b> and <b>LOUIE CORDERO</b>, <i>Free Phenomenon 26</i>, 2022, mixed-media on paper, 76.2 x 55.88 cm. All images by Angela Dorio and courtesy The Drawing Room, M

You’ve Got Mail: Art as Post-Pandemic Letter-Writing

<b>NALINI MALANI</b>'s proposal <i>Memory Aid</i> (2011), included as a part of the book <i>Manual for Treason</i> (2011), edited by Murtaza Vali and published for the Sharjah Bien

What Would a Memorial to the Partition Look Like?

<b>LUIS CHAN</b>, <i>Coming on Stage</i>, 1979, ink and color on paper, 69 x 134.5 cm. All images courtesy Hong Kong Arts Centre.

“All the World’s A Stage”: Illustrating the Clown Era

Detail of <b>PALA POTHUPITIYE</b>'s <i>Kokkilai</i>, 2017, printed map, ink and pencil on paper, 91 x 66 cm. Courtesy the artist.

Smoke, Smog, and Opaque Socio-Politics in the Indian Subcontinent

<b>YAYOI KUSAMA</b>'s <i>Portrait</i>, 2015, acrylic on canvas, 145.5 x 112 cm. Copyright and courtesy the artist.

Seventy Years of Self