Shows

Exterior of the Sorol Art Museum in Gangneung, Korea. Courtesy the Sorol Art Museum.

Sorol Art Museum Presents Agnes Martin’s First Solo Exhibition in Korea

Installation view of *LEE JIN WOO*'s untitled works at White Cube Hong Kong, 2024. Photo by Kitmin Lee. Courtesy the artist and White Cube Hong Kong.

Lee Jin Woo at White Cube

Portrait of *WALLACE CHAN* at his exhibition

Wallace Chan’s “Transcendence”

Installation view of

Hung Liu’s “Pulse, 1989–1996”

*RAJENDRA GOUR*, _Eyes_, 1968, 16mm film transferred to digital, 5 min. Courtesy Asian Film Archive, Singapore.<br>

Cinema of Subversion: Asian Avant-Garde Film Festival

Installation view of *KIMSOOJA* 's _To Breathe_, 2015, chromatic spectrum projection with mirror platform floor: 10 min 32 sec, dimensions variable, gallery installation: 9 x 675 x

Beauty and Essence in Kimsooja’s “Meta-Painting”

The 6th VH AWARD.

Open Call: The 6th VH AWARD for Emerging Media Artists

“Opus” AVA BA Graduation Show 2024 at The Academy of Visual Arts, School of Creative Arts, Hong Kong Baptist University.

Hong Kong Baptist University Presents “Opus” AVA BA Graduation Show 2024

Projected image from *TAKUMA NAKAHIRA*'s first photo book, _For a Language to Come_, 1970, at

Control and Chaos in “Burn | Overflow”

Installation view of *GENEVIEVE CHUA*'s _Wilful Machine_, 2024, scaffolding, steel, light projection, animation, dance, and performance: 40 min. Courtesy the artist and Singapore I

Genevieve Chua’s “Wilful Machine”

*OLAFUR ELIASSON*, _The glacier melt series_, 1999/2019, 30 pairs of C-prints. Photo by Joseph Nair, Memphis West Pictures. Courtesy the artist and Singapore Art Museum.

Olafur Eliasson’s “Your curious journey”

Installation view of (above) *SANDRA MUJINGA*'s _And My Body Carried All of You_, 2024, woven fabric, metal armatures, various dimensions, (below) *PIPPA GARNER*'s _Human Prototype

Foraging for Solidarity at the 8th Yokohama Triennale

Installation view of *CIARAN MURPHY*'s _Fly bye_, 2021, oil and tempera on canvas, 52 x 72 cm, at

“Gentle Again” at The Shophouse

Exterior view of the China Pavilion at the 60th Venice Biennale, 2024. Photo by Yes Is Culture. Courtesy China Pavilion.

China, Four Ways: Pretense and Propaganda in Venice