Shows

New in Town: Four Spaces Debuting in Hong Kong, March 2026

New in Town: Four Spaces Debuting in Hong Kong, March 2026
Installation view of “Horizons: South” at Antenna Space, Hong Kong, 2026. Courtesy Antenna Space.

Antenna Space Hong Kong
19/F, Leader Center, 37 Wong Chuk Hang Road, Wong Chuk Hang
Opening Exhibition: Horizons: South
Mar 21–May 10, 2026

Antenna Space, founded by Simon Wang in Shanghai in 2013, has developed a cross-generational program spanning emerging and midcareer artists from China and beyond. Its new outpost on the 19th floor of Leader Center in Wong Chuk Hang enters Hong Kong’s Southside gallery cluster with an inaugural show titled “Horizons: South.” Curated by Robin Peckham and featuring works by 20 artists, including Cui Jie, Xinyi Cheng, Evelyn Taocheng Wang, and Stella Zhong, “Horizons: South” picks up from the gallery’s 10th anniversary exhibition, “Horizons: Is there anybody out there?” (2023), carrying preoccupations around space, distance, and connection into the context of Hong Kong. In a recent contribution to ArtAsiaPacific, Wang situates his Hong Kong venue within the shifting conditions for small and midsized galleries in the region, describing the decision to open in the city as a considered response to a convergence of structural factors and personal timing. 

Installation view of“CERTAINLY” at GOLD, Hong Kong, 2026. Courtesy Serakai Studio, Hong Kong.

GOLD
G/F Remex Centre, 42 Wong Chuk Hang Road, Wong Chuk Hang
Opening Exhibition: CERTAINLY
Mar 20–May 3, 2026

Also arriving in Wong Chuk Hang is GOLD, a lofty, expansive (by Hong Kong standards) street-level salon by Serakai Studio that takes over a former bank and jewelry shop on the ground floor of Remex Center. Serakai, founded by developer and collector Benjamin Cha together with curator Tobias Berger, describes GOLD as a “cultural test lab” for contemporary currents in art, design, fashion, music, and technology. Its first show, “CERTAINLY,” takes as its starting point a line from La Monte Young’s 1960 instruction piece Composition 1960 #10 (to Bob Morris)—“Draw a straight line and follow it”—to bring together works by artists such as Richard Serra, Maria Taniguchi, South Ho Siu Nam, Lousy, Tith Kanitha, Shinro Ohtake, Pak Sheung Chuen, Peter Robinson, and Young-Hae Chang Heavy Industries.

Installation view of CIAN DAYRIT’s “A Country, A Body” at Cheng-Lan’s Corner, Hong Kong, 2026. Courtesy the Cheng-Lan Foundation, Hong Kong.

Cheng-Lan’s Corner
G/F, 3 Prince’s Terrace, Mid-Levels
Opening Exhibition: Cian Dayrit: A Country, A Body
Mar 18–May 17, 2026

Cheng-Lan’s Corner, tucked in a ground-floor unit on the picturesque Prince’s Terrace in Mid-Levels, is a new project space operated by the private Hong Kong-based Cheng-Lan Foundation, which was established in 2024 by art patrons Brian Yue and Claire Bi. Rooted in the organization’s focus on artists and communities working through histories of displacement, labor, and resistance, Cheng-Lan’s Corner positions itself as a relay point between Hong Kong’s publics and a broader constellation of practices that trace these concerns. The space opens with “Cian Dayrit: A Country, A Body,” the Filipino artist’s debut solo presentation in the city. Curated by Tiffany Leung, the show brings together recent textile works, drawings, and sculptures that probe entanglements of land, power, and identity via cartography, archival imagery, and vernacular materials.

View of 7/F, H Queen's, Hong Kong. Courtesy Knotting Space.

Knotting Space
7/F, H Queen’s, Central
Opening Exhibition: KNOT I: Soft Reality, Hard Dreams
Mar 23–Apr 18, 2026 

Over on the 7th floor of H Queen’s, Knotting Space is a new cycle-based curatorial platform founded by Hong Kong-based curator Jims Lam. Centered on encounter and exchange, each exhibition, or “knot,” presents a pairing between galleries, institutions, and nonprofit art spaces, creating a meeting ground for a more flexible ecology of practices as well as opportunities for non-Hong Kong dealers and organizations to present their programs and projects in the city. Its first cycle, “KNOT I: Soft Reality, Hard Dreams,” brings together The Drawing Room from Manila and Berlin- and Beijing-based HUA International, gathering works that probe the tension between lived experience and projected desire across painting, sculpture, and installation.