ArtAsiaPacific (Page 563)

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Cover art of Boredoms’ 2007 album Super Roots 9. Courtesy EYヨ.

Imported

Teppei Kaneuji on Eyヨ

Teppei Kaneuji

CHIHARU SHIOTA, The Key in the Hand, 2015, old keys, wooden boats and red wool, installation view from the Japan Pavilion at the 56th Venice Biennale, 2015. Photo by Sunhi Mang. Co

Imported

The Primacy of Matter

Susan Acret

THE CLOSET (detail), 1997/2015, mixed-media installation, dimensions variable, installed at Salt Galata, Istanbul, 2015. Photo by Ali Erdemci.
Unless stated otherwise, all images c

Imported

Tragedy and Farce

HG Masters

OLAFUR ELIASSON, The Open Pyramid, 2016, Steel, aluminum, mirror foil, wood, paint and spotlight, dimensions variable. Installed at the Long Museum, Shanghai, 2016. Photo by Anders

Imported

Nothingness is not Nothing at All

Arthur Solway

BAKTASH SARANG JAVANBAKHT, Tower, 2015, Mixed media, 190 x 178 x 20 cm. Courtesy Total Arts at the Courtyard, Dubai.

Imported

Fearless: The Next Wave of Artists from Iran

Anna Wallace-Thompson

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