ArtAsiaPacific (Page 406)

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WONG CHUNG-YU, ReBond, 2014, real-time random animation. Courtesy the artist and Hanart TZ Gallery, Hong Kong.

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Centrifugal Force: The Art Field of Wong Chung-yu

Jia Dong

Installation view of ANTHONY CARO’s Lock (1962) at Barford Sculptures, London, 2017. Courtesy Barford Sculptures Ltd. and the artist. Photo by John Hammond.

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Rasheed Araeen on Anthony Caro

Rasheed Araeen

Illustration by Chloe Bennett.

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Narrating Syria Through Family-Run Arts Patronage

Shireen Atassi

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Through Burmese Eyes

Elaine W. Ng

NO. 680, 2016, set of 50 paintings, acrylic paint on MDF, 80 x 25 x 4 cm each. Photo by Philip White.
Unless stated otherwise, all images courtesy the artist and The Third Line, Du

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Simply Put

Ned Carter Miles

JAMES T. HONG, A Chinaman’s Chance (Dokdo and Senkaku), 2014, Film still of video: 12 min 50 sec. Courtesy the artist and Haus der Kulturen der Welt, Berlin.

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2 or 3 Tigers

Clara Tang

IAN CHENG, Emissary Forks at Perfection, 2015-16, Live simulation and story, infinite duration. Courtesy MoMA PS1, New York.

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Emissaries

Mimi Wong

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