Issue

*SHIRLEY TSE*, _Playcourt_ (detail), 2019-20, mixed-media installation, dimensions variable. Photo by Ela Bialkowska / OKNOstudio. Courtesy the artist and M+, Hong Kong.

119 Previews: Undaunted by Distance

*HUN KYU KIM*, _The Secret Barn_, 2019, pigment on silk, 135 x 100 x 2.5 cm. Courtesy the artist and High Art, Paris.

119 New Currents: Hun Kyu Kim, Mak Ying Tung 2, Yen Chun Lin

Exterior view of the UCCA Center for Contemporary Art in Beijing. Photo by Bian Je. Courtesy the Office for Metropolitan Architecture, Rotterdam.

119 Main News: First Reawakenings Across the Asia Pacific

119 Whispering Gallery: More than Elbows Bumping

Installation view of *ANDREW LUK*'s _Haunted, Salvaged_, 2020, extruded polystyrene foam, paint thinner, expanding spray foam, cement, concrete, stainless-steel mesh, stainless ste

Up Close: Andrew Luk

*BYRON KIM*, _The Valleys are Asleep and the Mountaintops_, 2019, cotton fabric with natural dye, 157.5 x 137.1 cm. Courtesy the artist and Centre for Heritage, Arts and Textile, H

Up Close: Byron Kim

*MAI-THU PERRET*, _News From Nowhere II_, 2019, Haute lisse hand woven wool tapestry, 210 x 150 cm. Courtesy the artist and Simon Lee Gallery, Hong Kong / London / New York.

Editor’s Letter: Dreams of Progress

Installation view of

Dispatch: Amsterdam: Postcolonial Processes

*MARY KELLY*, _Post-Partum Document: Documentation VI, Prewriting Alphabet,Exergue and Diary_ (detail), 1978, Perspex unit, white card, resin, slate, 18 units, 35.5 x 28 cm. Copyri

One on One: Sung Tieu on Mary Kelly

Exterior view of Centre for Chinese Contemporary Art (CFCCA), Manchester, 2017. Photo by Arthur Siuksta. Courtesy CFCCA.

The Year of the Rat

Portrait of *ANGELA TIATIA*. Photo by Kieren Cooney. Courtesy the artist and Sullivan + Strumpf, Sydney/Singapore.

Angela Tiatia: The body is political; politics is embodied

Portrait of *ARTHUR DE VILLEPIN*. Photo by Peter Chung for ArtAsiaPacific.

Arthur de Villepin: Path of Self-discovery

Portrait of the artist. Photo by Ram Rahman. Courtesy Luhring Augustine, New York.

Memories of Zarina Hashmi

Installation view of _Black Balthazar_, 2013, birch plywood, rattan core, and water-based paint, 123 x 115 x 30 cm, at

Mai-Thu Perret: I Know the Meaning of Revolution