Issue

Installation view of <b>HO SIN TUNG</b>’s “<i>Swampland</i>” at Hanart TZ Gallery, Hong Kong, 2020. Courtesy the artist.

Hong Kong: Ho Sin Tung

Group photo of <b>RUANGRUPA</b>, from left to right: Reza Afisina, Indra Ameng, Farid Rakun, Daniella Fitria Praptono, Iswanto Hartono, Ajeng Nurul Aini, Ade Darmawan, Julia Sarise

Jakarta: Ruangrupa

<b>HASANUL ISYRAF IDRIS</b>, <i>It has been Halwa Years</i>, 2017, watercolor, ink and color pencil on paper, 91.5 × 61 cm.
Courtesy the artist and Richard Koh Fine Art, Kuala Lump

Kuala Lumpur: #KitaJagaKita

The open-source design for the new People’s Plaque. Image via Free Arts, Bangkok.

Bangkok: Chulayarnnon Siriphol

<b>SUDHIR PATWARDHAN</b>, <i>Departure</i>, 2020, pastel on paper, 46 × 30 cm. Courtesy the artist and Vadehra Art Gallery, New Delhi.

New Delhi: Churning of the World

Screenshot of <b>ZHANG XIAOGANG</b>’s <i>Bloodline: Big Family</i>, 2006, oil on canvas, 160 × 200 cm, and SERGEY MASLOV’s Untitled (Kamasutra), 2000, oil on canvas, 80 × 60 cm, at

Almaty: Olga Veselova

Exterior view of the third smoke plume on the north west of the warehouse, from <b>FORENSIC ARCHITECTURE</b>’s <i>The Beirut Port Explosio</i>n, 2020, still from video: 11 min 58 s

Beirut: State of Siege

<b>DINA MIMI </b>and <b>MIN-KYUNG CHOI</b>, <i>Episode 4. the parrot above my head, </i>from the Channel Greenhouse series, 2020, still from video: 12 min 5 sec. Courtesy the artis

Ramallah: Collectively at Home

<b>SIBEL HORADA</b>, <i>The Division [Taqsim] of Water</i>, 2020, still from video: 10 min 28 sec. Courtesy the artist and Saha, Istanbul.

Istanbul: Sibel Horada: Flowing Through

Installation view of <b>TRISHA BAGA</b>’s <i>1620</i>, 2020, two-channel projection with 2D and 3D video, color, sound: 35 min, at “the eye, the eye and the ear,” Pirelli Hangar Bi

New York: Stories of Struggle

Screenshot of the Yokohama Triennale 2020 press conference. Image by Peter Chung for <i>ArtAsiaPacific</i>.

Festivals of 2020: Remotely Together

Installation view of <b>KHADIM</b> <b>ALI</b>’s <i>Invisible Border 2</i>, 2020, hand and machine embroidered, stitched and dye ink on fabric, 260 × 220 cm, at Lahore Biennale 02,

Festivals of 2020

<b>TETSUMI KUDO</b>, <i>Human Bonsai – Freedom of Deformity – Deformity of Freedom</i>, 1979, artificial soil, resin, plastic, wood, paint, cotton, wire, metal chain, and glass bea

Exhibitions of 2020: Lessons In Survival

Installation view of <b>HƯƠNG NGÔ</b>’s <i>Up Against The</i>, 2017, invisible ink on sulphite pulp paper, bottle of iodine, nine prints, dimensions variable, at “Lost From View,”

Exhibitions of 2020