Issue

Candice Lin: Rotten and Thriving

Installation view of *GU XIONG*'s _I sit on stone_, 2020, sand and fabric, dimensions variable, at

Vancouver: Gu Xiong: The Remains of a Journey

Milan: Chen Zhen: Short-Circuits

Singapore: Mike HJ Chang: Calendar of Dilation

Manila: Familiar Hunting, Unfamiliar Gathering

Sydney: Lindy Lee: Moon in a Dew Drop

Installation view of *TAREK ATOUI*'s _The Wave_, 2019, composition for The Disharmonica, The Duofluctus, Horns of Putin, The Lithophone, The Lymaçon, The Piezothing, The Rotator,

Sharjah: Tarek Atoui: Cycles in 11

Installation view of *TAKIS*'s solo exhibition at White Cube, Hong Kong, 2020-21. Photo by Kitmin Lee/White Cube. Copyright the artist. Courtesy White Cube, London/Hong Kong.

Hong Kong: Takis

Wang Tuo: Mind’s Eye

Portrait of MIN OH. Photo by Kim S. Gon. Courtesy Elle.

Min Oh: Movement as Material

Portrait of *AU SOW YEE*. Photo by Lin Yu-Quan. Courtesy the artist.

Au Sow Yee: Afterimage

Installation view of

Land, Landlessness, Mobility: Asian and Indigenous Artists Disrupt Colonial Chronology

Exterior view of Art Basel in Basel, 2019. Courtesy Art Basel.

122 Main News: Covid-19 Continues to Impact Art-World Calendar

*TYEB MEHTA*, _Untitled (Confidant)_, 1962, oil on canvas, 101.6 x 126.4 cm. Courtesy Christie's

122 Auction Report: Slow Start