Issue

<b>CHUA MIA TEE</b>, <i>Epic Poem of Malaya</i>, 1955, oil on canvas, 105.5 x 125 cm. All images courtesy the National Gallery Singapore.

Singapore: Chua Mia Tee

<b>VIVIENNE BINNS</b>, <i>Somebody's everyday, somewhere, sometime</i>, 2009, synthetic polymer paint on canvas, 152 x 183 cm. Photo by Tim Herbert. Courtesy the Monash University

Melbourne: Vivienne Binns

<b>SEEUN KIM</b>, (from left to right) <i>Sinus</i>, <i>Collected sinew</i>, and <i>The face of flipping torso</i>, all 2022, water mixable oil and acrylic spray paint on canvas, 2

Seoul: Seeun Kim

<b>WILLIAM KENTRIDGE</b>, <i>Weigh All Tears</i>, 2021, oil, pencil, poster paint, and collage on canvas, three parts, each 200 x 200 cm. Courtesy the artist and Hauser & Wirth, Ho

Hong Kong: William Kentridge

<b>ATUL DODIYA</b>, <i>Untitled</i>, 2020, watercolor on paper, 41.9 x 29 cm. Courtesy the artist and the Kiran Nadar Museum of Art, New Delhi.

New Delhi: Atul Dodiya

Installation view of <b>CAMP</b>'s <i>Bombay Tilts Down</i>, 2021, seven-screen 4K CCTV video: 7 min, at

Sharjah: CAMP

Installation view of <b>ANICKA YI</b>'s <i>Biologizing the Machine</i> <i>(spillover zoonotica)</i>, 2022, glass display cases, soil bacteria, cyanobacteria, and algae, dimensions

Milan: Anicka Yi

Installation view of <b>TIMOTEUS ANGGAWAN KUSNO</b>'s <i>Luka dan Bisa Kubawa Berlari </i>(Wounds and venom I carry as I am running), 2022, mixed-media installation, dimensions var

Amsterdam: Revolusi! Indonesia Independent

<b>ALI KAZIM</b>, <i>Untitled</i>, from the <i>Hunter</i> series, 2020, watercolor pigments on paper, 86 x 72 cm. Courtesy the artist; Jhaveri Contemporary, Mumbai; and the Ashmole

Oxford: Ali Kazim

<b>BASEERA KHAN</b>, <i>Braidrage</i>, 2017- , performance at Participant Inc., New York, 2017. Photo by Maxim Ryazansky. Courtesy the artist and Simone Subal Gallery, New York.

New York: Baseera Khan

Chronicles for the Future

Chronicles for the Future

Portrait of <b>STEWART UOO</b> in his Brooklyn studio. Photo by Emily Chun for ArtAsiaPacific.

Stewart Uoo: Conceptual Objects

Photo of <b>HA CHONG-HYUN</b> working in his Hwagok-dong studio in the early 1970s. Courtesy the artist and Kukje Gallery, Seoul/Busan.

Ha Chong-Hyun: Method Painter

<b>YEVGENIA BELORUSETS</b>,<i> The war diary. February-April, 2022. Kyiv</i>, 2022, texts and photos, dimensions variable. Courtesy the artist.

Russian War Against Ukraine Impacts Major Exhibitions